The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
As the strong-minded woman is a mistake among women, so is the gushing
man among men. Fluid, unstable, without curb to govern or rein to
guide, he brings into the masculine world all the mental frailties of
the feminine, and adds to them the force of his own organization as a
man. Whatever he may be he is a disaster; and at all times is
associated with failure. He is the revolutionary leader who gets up
abortive risings--the schemer whose plans run into sand--the poet
whose books are read only by schoolgirls, or lie on the publisher's
shelves uncut, as his gushingness bubbles over into twaddle or exhales
itself in the smoke of obscurity--the fanatic whose faith is more
madness than philosophy--the man of society who is the butt of his
male companions and the terror of his lady acquaintances--the father
of a family which he does his best, unintentionally, to ruin by
neglect, which he calls nature, or by eccentricity of training, which
he calls faith--and the husband of a woman who either worships him in
blind belief, or who laughs at him in secret, as heart or head
preponderates in her character. In any case he is a man who never
finds the fitting time or place; and who dies as he has lived, with
everything about him incomplete.
_SWEET SEVENTEEN._
A vast amount of poetry has always been thrown round that special time
of a woman's life when,
Standing with reluctant feet
Where the brook and river meet,
she is no longer a child and yet not quite a woman--that transition
time between the closed bud and the full-blown flower which we in
England express by the term, among others, of Sweet Seventeen. Without
meaning to be sentimental, or to envelope things in a golden haze
wrought by the imagination only and nowhere to be found in fact, we
cannot deny the peculiar charm which belongs to a girl of this age, if
she is nice, and neither pert nor silly. Besides, it is not only what
she is that interests us, but what she will be; for this is the time
when the character is settling into its permanent form, so that the
great thought of every one connected with her is, How will she turn
out? Into what kind of woman will the girl develop? and, What kind of
life will she make for herself?
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