The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
Certainly Sweet Seventeen may be a most unlovely creature, and in
fact she often is; a creature hard and forward, having lost the
innocence and obedience of childhood and having gained nothing yet of
the tact and grace of womanhood; a creature whose hopes and thoughts
are all centred on the time when she shall be brought out and have her
fling of flirting and fine dresses with the rest. Or she may be only a
gauche and giggling schoolgirl, with a mind as narrow as her life,
given up to the small intrigues and scandals of the dormitory and the
playground--a girl who scamps her lessons and cheats her masters;
whose highest efforts of intellect are shown in the cleverness with
which she can break the rules of the establishment without being found
out; who thinks talking at forbidden times, peeping through forbidden
windows, giving silly nicknames to her companions and teachers, and
telling silly secrets with less truth than ingenuity in them, the
greatest fun imaginable, and all the greater because of the spice of
rebellion and perversity with which her folly is dashed. Or she may be
a mere tomboy, regretting her sex and despising its restraints;
cultivating schoolboy slang and aping schoolboy habits; ridiculing her
sisters and disliked by her companions, while thinking girlhood a bore
and womanhood a mistake in exact proportion to its feminality. Or she
may be a budding miss, shy and awkward, with no harm in her and as
little good--a mere sketch of a girl, without a leading line as yet
made out or the dominant colour so much as indicated.
Sometimes she is awkward in another way, being studious and
preoccupied--when she passes for odd and original, and is partly
feared, partly disliked, and wholly misunderstood by her own young
world; and sometimes she has a cynical contempt for men and beauty and
pleasure and dress, when she will make herself ridiculous by her
revolt against all the canons of good taste and conventionality. But
after her _début_ in tattered garments of severe colours and ungainly
cut, she will probably end her days as a frantic Fashionable, the
salvation of whose soul depends on the faultless propriety of her
wardrobe. The eccentricities of Sweet Seventeen not unfrequently
revenge themselves by an exactly opposite extravagance of maturity.
But though there are enough and to spare of girls according to all
these patterns, the Sweet Seventeen of one's affections is none of
them. And yet she is not always the same, but has her different
presentations, her varying facets, which give her variety of charm and
beauty.
Public-domain text, read in full here on John Shaqi.
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