The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
The trial and death of Socrates present a scene which for pathos and
nobility stands, with one other, alone in history. At the first trial he
was condemned only by a majority of six. Athenian law permitted him
under such circumstances to propose an alternative penalty. He proposed,
accordingly, that he should be entertained for the rest of his life at
public expense, along with the officers and benefactors of the State, in
the Presidential Hall. This Socratic irony was treated by the judges as
contumacy, and at the second hearing he was condemned to death by a
large plurality of votes. Plato has written of his end in three great
dialogues--“The Apology,” “The Phædo,” and “The Crito.” In “The Apology”
Socrates concludes his address to the jury with these words: “This only
I ask of you. When my sons grow up, gentlemen, if they seem to
[Illustration: PLATE LXXIX. CORINTHIAN CAPITAL
_Mansell & Co._]
you to be concerned about wealth or anything rather than virtue, punish
them, I pray you, with the same affliction as that with which I have
afflicted you, and if they pretend to be something when they are
nothing, make it a reproach to them, as I have made it to you. If you
will do that, we shall have received justice at your hands, I and my
sons. Ah, I see it is now time for us all to go hence, me to my death,
you to your life. But which of us is going on a better errand--that none
can say, but only God alone.”
The dialogue of “Phædo” is perhaps the sublimest thing in literature. It
purports to be the last discourse of Socrates to the friends who have
come to share his last moments. He preaches the immortality of the soul,
the unimportance of death, nay, the urgent necessity of that release
from the hampering and deluding trammels of the body, if a philosopher
is to see things as they are and enjoy the knowledge of reality. He puts
it as a “myth,” using the current Greek mythology of Styx and Hades and
Tartarus to enforce his doctrine of Hell, Paradise, and Purgatory. His
friend Crito asks for instructions as to his burial.
Public-domain text, read in full here on John Shaqi.
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