But the most interesting of the Mycenæan remains are undoubtedly the tombs. In the city itself there is a circular enclosure surrounded by a double series of paving-stones set into the ground on edge, thus forming a ring of shaft graves whose purpose was plainly shown by the objects and bones found in them. Down in the plain below were found other burying-places, also circular, but of a later date and much more striking. These subterranean “beehive” tombs have been found elsewhere in Greece, but nowhere of such splendour. It was one of these which Schliemann proclaimed to be the tomb of Agamemnon. Like the pyramids in Egypt, it contains an inner chamber, which forms the actual grave, outside it a circular “tholos,” probably a shrine for the cult of the departed, and a long “dromos,” or inclined approach. The tholos is of great interest to architects as providing a forerunner of the dome. But it is not built on the principle of the arch, with wedge-shaped masses and a keystone. This dome is contrived by laying ever-narrowing circles of masonry one upon the other concentrically, the interior being smoothed, plastered, and richly decorated. It is thought that the bee-hive shape reproduces the primitive bell-tent, for the tombs of the dead are generally copied from the abodes of the living. Such splendour in the tomb, such careful concealing of the dead underground in an inner chamber, unquestionably proves ancestor-worship. The sixth city at Troy was of much the same style and date as these; larger, indeed, than all, and with its houses radiating from the centre like the spokes of a wheel. On the Athenian Acropolis too there are traces of a similar prehistoric settlement. We are probably to imagine the face of the Greek world in the second millennium B.C. as dotted with these citadel palaces. Mycenæ has yielded many interesting treasures of a minor sort. It was especially rich in gold, and we notice with great interest the masks of thin gold laid upon the faces of the dead. Nor has Crete yet produced any object in gold to rival the famous pair of cups[9] found at Vaphio, in Laconia. These are of gold repoussé, and their designs of wild and tame cattle are incomparably living and natural. But Sir Arthur Evans is probably justified both on grounds of style and subject in claiming these superb treasures as exports from Crete. The palm-tree betrays a Southern origin. In Mycenæ, too, were found the finely inlaid dagger-blades[10] which give us a picture of the men and weapons of the Mycenæan or Late Minoan ages of Ægean culture. The men, we observe, are armed with long spears and huge figure-of-eight shields composed of wickerwork covered with bull’s hide and pinched in at the “waist” so as to encircle the body and provide a hand-grip. The warriors wear no clothing but [Illustration: PLATE VIII. THE LION GATE, MYCENÆ _English Photo Co., Athens_] breeches or loin-cloths, and in this they resemble the men of the Cretan frescoes and gems.