The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
[Illustration: Cretan Cup of Degenerate Style.]
And what came of it all? Somewhere, it would seem, about 1400 B.C.
Cnossos underwent its final catastrophe. The palace was sacked and
burnt, the ateliers of its brilliant artists were destroyed, and the
artists themselves slain or scattered. So the centre of illumination was
darkened for the whole Ægean world. Elsewhere Ægean civilisation
continued perhaps for two centuries more, and in Cnossos itself there is
yet another period when the palace sites were partially reoccupied by a
few stragglers of the old artistic race. But with the fall of his patron
the inspiration of the craftsman vanishes, degeneration rapidly sets in.
Even in the designs of the vases the bold, naturalistic drawing
deteriorates into lazy formulæ, the brilliance of the glaze grows dull,
the colours are flat and muddy. A good deal of Mycenæan art is of this
decadent type, and a good deal more of it has been found in the
neighbouring sites of Crete.
Among the relics of this period are objects which betray the cause of
the downfall--weapons of iron. The Bronze Ages are passing away before
the superior metal, as the Stone Ages had yielded to the Bronze.
THE MAKERS OF ÆGEAN ART
It now becomes our duty to sum up this wonderful world of archæology and
to consider its bearings on the history and art of later Greece.
Unfortunately many problems arise at this point for which at present the
archæologists cannot agree to offer a solution. Who were these Ægean
folk? Were they of Indo-European stock and language? We have already
agreed, I think, that they represent a primitive stratum of population
which originally spread all over the south of Europe and the basin of
the Mediterranean. The Cupbearer may indicate their physique, black
curly hair, straight nose, long skull; and I, for one, decline to
believe that this fine fellow is a Semite or Phœnician, as has been
suggested. We know that these people were extraordinarily gifted,
especially in the sense of form, and that they were capable of very
rapid development. May we not believe that one and the same stock has
lain at the base of the peoples of the Eastern Mediterranean from
prehistoric times until to-day, much as it has been crossed and
conquered and oppressed? And was their language Greek? That is a
question that we cannot answer for certain, since no one has yet been
able to interpret their handwriting. I see no reason to dispute
Professor Ridgeway’s argument that as the stock prevailed through
several waves of conquest from the north, so the language survived
without material change, just as Italian prevailed through the Lombard
conquest of North Italy. Of course nationalities were more mixed in
Crete and Cyprus than on the mainland of Greece. It can but be an
opinion delivered in the consciousness of many counteracting arguments,
but I believe that the people whose culture we have been describing were
essentially the same as we know in historic times, and of course
Public-domain text, read in full here on John Shaqi.
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