The Glory That Was Greece: a survey of Hellenic culture and civilisation — John Shaqi
The Glory That Was Greece: a survey of Hellenic culture and civilisationStobart, J. C. (John Clarke)
History
The Glory That Was Greece: a survey of Hellenic culture and civilisation
Stobart, J. C. (John Clarke)
Art, Greek; Greece -- Civilization -- To 146 B.C.
A word remains to be said about religion. In classical Greece, as
everybody knows, there was a prevailing cult of state gods and
goddesses, an anthropomorphic Olympian family, Zeus, Hera, Athena,
Artemis, Apollo, and the rest of them. But recent students of religion
have pointed out that side by side with the public worship of celestial
deities there was a more mysterious but more real devotion to a quite
different form of religion, a cult of Nature goddesses, with mystical
rites whose origin was more than half forgotten. To this class belong
the Mysteries of Eleusis, to name the most famous example, and it is
seen in the many-breasted “Diana of the Ephesians.” Now Professor
Ridgeway has long taught that this naturalistic worship was probably a
survival from the prehistoric ages of Greece. It is at its strongest in
Arcadia, the untouched primitive part of Greece. He calls it the
religion of the Southern mother, retained in spite of the Northern
father who would have his Zeus-Odin worshipped in public. The
discoveries in Crete have confirmed this theory, and thrown some light
on the naturalistic worship of later times. The principal deity of Crete
was a Nature goddess, generally represented as adorned with snakes.[11]
She was worshipped with orgiastic rites, ecstatic dances, shaking of
rattles, ornately robed priests, and emblematical processions. Along
with this worship, and probably older, as the aniconic precedes the
iconic stage of religion, there are many signs of aniconic fetishes,
pillar-worship, axe-worship, tree-worship, and even cross-worship. The
monster forms of bull-men, dog-men, snake-men may be only heraldic
signs, or they may indicate a worship of monsters such as prevailed in
Egypt. Certainly there was worship of the entombed ancestor. We can see
that the artistic people of prehistoric Greece were very near to the
earth after all.
[Illustration: Clay Seal Impression with Cruciform Symbol, from Temple
Repository, Cnossos]
[Illustration: Plate 10.--Inlaid Dagger Blades.]
II
THE HEROIC AGE
ἀνδρῶν ἡρώων θεῖον γένος, οἳ καλέονται
ἡμίθεοι
HESIOD.
THE NORTHERN INVADERS
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