By the various writers who have dealt with this subject during the last century, much surprise has been manifested over the fact that for untold ages the people of the earth have worshipped a Trinity. Forster, in his Sketches of Hindoo Mythology, says: "One circumstance which forcibly struck my attention was the Hindoo belief of a Trinity." Maurice, in his Indian Antiquities, observes that the idea of three persons in the Deity was diffused amongst all the nations of the earth, in regions as distant as Japan and Peru, that it was memorially acknowledged throughout the whole extent of Egypt and India, "flourishing with equal vigor amidst the snowy mountains of Thibet, and the vast deserts of Siberia." The idea of a Trinity is supposed to have been first elaborated on the banks of the Indus, whence it was carried to the Greek and Latin nations. Astrologically the triune Deity of the ancients portrayed the processes of Nature. This recondite doctrine as understood by the very ancient people which originated it, involved a knowledge of Nature far too deep to be appreciated or understood by their degenerate descendants, except perhaps by a few philosophers and scholars who imbibed it in a modified form from original sources in the far East. After the establishment of the Trinity, the creative energy, which had formerly been represented by a mother and child, came to be figured by the mother, father, and the life derived therefrom. Sometimes the Trinity took the form of the two creative forces, female and male, and the Great Mother. Whenever the two creative principles were considered separately, there always appeared stationed over or above them, as their Creator, an indivisible unity. This Creator was the "Beyond," the "most High God"--Om or Aleim. It was the Mother of the Gods in whom were contained all the elements of the Deity. Among the representations of the god-idea which are to be observed on the monuments and in the temples of Egypt appear triads, each of which is composed of a woman stationed between a male figure and that of a child. She is depicted as the Light of the sun, or Wisdom, while the male is manifested as the Heat of the orb of day. She is crowned and always bears the male symbol of life--the crux-ansata. Later, it is observed that the worship of Light has in a measure given place to the adoration of Heat, in other words Light is no longer adored as essence of the Deity, Heat or Passion having become the most important element in creative power.