Codex Vaticanus A.—Sheet 20: Here Tlaloc is represented with the body painted black, the fore-part of the face black and the hinder portion yellow. His chin is bearded and the lip-band is prolonged, as described above. In front of his mantle is a stone knife, from which fire issues. His attire is painted in alternate stripes of black and green, flecked with melted rubber. He wears the fillet of Tonatiuh, the Sun-god, and the strips of hide which fall from the panache of feathers on his head are also part of the Sun-god’s insignia. He holds a burnt offering of firewood and rubber in his hand, enveloped in a covering painted black and green, flecked alternately. The type of the tarns or pools into which such offerings were cast is depicted in front of him, in the depths of which are seen fishes and snails. Codex Magliabecchiano.—Sheet 92: Here he is represented in female costume and, as in the Sahagun MSS., a white circular spot or patch with black dots is visible on the god’s cheek, which, the text implies, was made of the crushed seed of the Mexican prickly poppy (Argemone Mexicana). General.—Other details in the costume of the Rain-god are eloquent of his nature and characteristics. In the Borgia group of codices his garment and headdress are dark green, flecked with melted rubber, whilst in those codices from the Mexican country proper we find them painted blue, bespotted with the same unpleasant incense. His robe, the anachxecilli (“dripping-garment,” “cloud-garment”), is said to be “set with green gems,” and in his ear is a broad plate with a dependent band on which are worked smaller figures made of chalchihuitl stones. On his breast he wears a wide collar of plaited stuff (reeds?) also enriched with the precious green stone typical of water, and a large gold disk. In Codex Vaticanus A, the Codex Magliabecchiano, and the Sahagun MSS. we find him wearing at the nape of his neck a large crescent-shaped loop which projects on each side of the head and is secured in the middle by a rosette, as well as his crown of heron-feathers. In the Codex Vaticanus B a large fan-shaped object painted dark green and white projects behind the head of the god. In Codex Borgia (sheet 14), too, he wears the headdress of Mayauel, the goddess of the agave plant, but the colours in which it is painted (dark green and white with rubber flecking) are his own and not the blue and white of the female divinity.