Aztec mythology; Indian mythology -- Mexico; Mexico -- Religion
from the pole with the weapons of the god, he was received with
acclamations and carried up to the teocalli Tlacacouhcan, to receive
jewels and a rich mantle which no one else might wear, and the honour
of being carried to his house by the priests, amid the music of horns
and shells. Then the people seized the ropes fastened to the tree and
dragged it down.
Izcalli.—The following is a digest of Sahagun’s description of this
festival [292]:
Another feast of the god of fire was held in the month yzcalli, the
eighteenth month; it was called motlaxquiantota, that is to say, “our
father the fire roasts his food.” An image of the god of fire was made,
by tying a frame of hoops and sticks together and covering them with
his ornaments. On the head of the image was placed a mask of turquoise
mosaic, banded across with rows of green chalchihuitls. Upon the mask
was put a crown fitting to the head below, wide above, and covered with
rich plumage. A wig of reddish hair was attached to this crown so that
the locks flowed from below it, behind and around the mask. A robe of
feathers covered the front of the image and fell over the ground before
the feet. The back of the image was probably left unadorned and was
concealed by a throne covered with a jaguar-skin. Before this statue
new fire was made at midnight with the fire-stick. The spark obtained
was put on the hearth and a fire lit. At break of day boys and youths
came with game and fish that they had captured on the previous day.
Walking round the fire, they gave it to certain old men that stood
there, who, taking it, threw it into the flames before the god, giving
the youths in return certain tamalis made for this purpose by the
women. To eat these tamalis it was necessary to strip off the
maize-leaves in which they had been wrapped and cooked; these leaves
were not thrown into the fire, but were all put together and thrown
into water. After this all the old men of the quarter in which the fire
was drank octli and sang before the image of Xiuhtecutli till night.
This was the tenth day of the month, and completed that part of the
feast which was called vauquitamalqualiztli.
On the twentieth and last day of the month was made another statue of
the Fire-god, on a frame of sticks and hoops. They placed on the head a
mask with a ground of mosaic with small pieces of the shell called
tapaztli, composed below the mouth of black stones, banded across the
nostrils with black stones of another sort, and the cheeks made of a
still different stone called tezcapuchtli. As in the previous case,
there was a crown on this mask, and over all and over the body of the
image costly and beautiful decorations of feather-work. Before the
throne on which this statue sat there was a fire, and the youths
offered game to and received cakes from the old men with various
ceremonies, the day closing with the drinking of octli by the old
people, though not to the point of intoxication.
Public-domain text, read in full here on John Shaqi.
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