Aztec mythology; Indian mythology -- Mexico; Mexico -- Religion
Codex Vaticanus B.—Sheet 20: Here he is painted with flame-coloured
hair, bound by a fillet, on the front of which is the usual bird’s-head
ornament. His panache consists chiefly of two eagle’s feathers, from
which hang two long bands, one side of which is hairy as if formed of
skin, and this may be taken as a characteristic sign of him in the MSS.
of the Codex Borgia group. His nose-plug has a plate depending from it,
which falls over the mouth, as in some representations of Tezcatlipocâ,
and on his breast he wears an ornament which recalls that worn by the
Fire-god in this codex. In this MS., as in Codex Borgia, he is
represented as standing before a temple, with a burnt-offering of wood
and rubber in his hand, and here the temple is painted in the
chalchihuitl colour-elements, and its roof covered by jewelled disks.
Sheet 94: In this picture he is shown as wearing a long, flame-like
beard, which strongly resembles that worn by Quetzalcoatl and
Tonacatecutli in some MSS., save that it is the colour of fire.
Aubin-Goupil Tonalamatl.—Sheet 10: In this manuscript the upper portion
of the face is light red, and the lower a darker red. The outer corner
of the eye is encircled by three red lines, which are rounded. He wears
a jewelled fillet, feathered crown, collar, breast-ornament,
butterfly’s wing neck-ornament, the net-pouch of the hunting tribes,
and the sword-fish pattern sword.
Codex Telleriano-Remensis.—The face is yellow with no lines. He wears
the fillet with turquoise jewels, and a wheel-shaped ornament at the
nape of the neck, probably symbolic of the solar disk. Elsewhere in
this MS. he is red, wears the solar disk on his back, and holds the
cotinga bird in one hand and a shield and a bundle of spears in the
other.
Codex Borbonicus.—The face is half yellow, half red, and is surmounted
by a flame-coloured wig bound by the jewelled fillet with its usual
ornament. Elsewhere in this codex he represents the sun by night, with
the body and upper part of the face dark, no nasal rod, but a crescent
like that of the Earth-goddess and the octli-gods. The sea-snail’s
shell is above him, and the symbol of the eye in a dark patch.
General.—As second member of the third row in Codex Borgia, Vaticanus
B, and Fejérváry-Mayer, he is recognized by his red body and
face-painting, and flame-coloured hair bound up by a jewelled chain or
strap, with the conventional bird figure on the frontal side.
WALL-PAINTINGS
Several lively paintings decorate the friezes executed on the walls of
the palaces at Mitla, where the insignia of the god are given in the
manner familiar throughout Mexico. The fillet with the bird’s-head
frontal ornament, the peculiar disposition of the panache, and the
necklace typical of the deity are all reproduced, and here serve to
prove the widespread character of his worship.
MYTHS
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account