The belief in temporary incarnation or inspiration is world-wide. Certain persons are supposed to be possessed from time to time by a spirit or deity; while the possession lasts, their own personality lies in abeyance, the presence of the spirit is revealed by convulsive shiverings and shakings of the man’s whole body, by wild gestures and excited looks, all of which are referred, not to the man himself, but to the spirit which has entered into him; and in this abnormal state all his utterances are accepted as the voice of the god or spirit dwelling in him and speaking through him. In Mangaia the priests in whom the gods took up their abode from time to time were called “god-boxes” or, for shortness, “gods.” Before giving oracles as gods, they drank an intoxicating liquor, and in the frenzy thus produced their wild words were received as the voice of the god.(128) But examples of such temporary inspiration are so common in every part of the world and are now so familiar through books on ethnology, that it is needless to cite illustrations of the general principle.(129) It may be well, however, to refer to two particular modes of producing temporary inspiration, because they are perhaps less known than some others, and because we shall have occasion to refer to them later on. One of these modes of producing inspiration is by sucking the fresh blood of a sacrificed victim. In the temple of Apollo Diradiotes at Argos, a lamb was sacrificed by night once a month; a woman, who had to observe a rule of chastity, tasted the blood of the lamb, and thus being inspired by the god she prophesied or divined.(130) At Aegira in Achaea the priestess of Earth drank the fresh blood of a bull before she descended into the cave to prophesy.(131) In Southern India a devil-dancer “drinks the blood of the sacrifice, putting the throat of the decapitated goat to his mouth. Then, as if he had acquired new life, he begins to brandish his staff of bells, and to dance with a quick but wild unsteady step. Suddenly the afflatus descends. There is no mistaking that glare, or those frantic leaps. He snorts, he stares, he gyrates. The demon has now taken bodily possession of him; and, though he retains the power of utterance and of motion, both are under the demon’s control, and his separate consciousness is in abeyance.... The devil-dancer is now worshipped as a present deity, and every bystander consults him respecting his disease, his wants, the welfare of his absent relatives, the offerings to be made for the accomplishment of his wishes, and, in short, respecting everything for which superhuman knowledge is supposed to be available.”(132) At a festival of the Minahassa in northern Celebes, after a pig has been killed, the priest rushes furiously at it, thrusts his head into the carcass and drinks of the blood. Then he is dragged away from it by force and set on a chair, whereupon he begins to prophesy how the rice crop will turn out that year.