The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 10 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 10 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
fertility. It is significant that among the Baganda the first menstruation
was often called a marriage, and the girl was spoken of as a bride.(69)
These terms so applied point to a belief like that of the Siamese, that a
girl’s first menstruation results from her defloration by one of a host of
aerial spirits, and that the wound thus inflicted is repeated afterwards
every month by the same ghostly agency.(70) For a like reason, probably,
the Baganda imagine that a woman who does not menstruate exerts a malign
influence on gardens and makes them barren(71) if she works in them. For
not being herself fertilized by a spirit, how can she fertilize the
garden?
(M20) Among the Amambwe, Winamwanga, Alungu, and other tribes of the great
plateau to the west of Lake Tanganyika, “when a young girl knows that she
has attained puberty, she forthwith leaves her mother’s hut, and hides
herself in the long grass near the village, covering her face with a cloth
and weeping bitterly. Towards sunset one of the older women—who, as
directress of the ceremonies, is called _nachimbusa_—follows her, places a
cooking-pot by the cross-roads, and boils therein a concoction of various
herbs, with which she anoints the neophyte. At nightfall the girl is
carried on the old woman’s back to her mother’s hut. When the customary
period of a few days has elapsed, she is allowed to cook again, after
first whitewashing the floor of the hut. But, by the following month, the
preparations for her initiation are complete. The novice must remain in
her hut throughout the whole period of initiation, and is carefully
guarded by the old women, who accompany her whenever she leaves her
quarters, veiling her head with a native cloth. The ceremonies last for at
least one month.” During this period of seclusion, drumming and songs are
kept up within the mother’s hut by the village women, and no male, except,
it is said, the father of twins, is allowed to enter. The directress of
the rites and the older women instruct the young girl as to the elementary
facts of life, the duties of marriage, and the rules of conduct, decorum,
and hospitality to be observed by a married woman. Amongst other things
the damsel must submit to a series of tests such as leaping over fences,
thrusting her head into a collar made of thorns, and so on. The lessons
which she receives are illustrated by mud figures of animals and of the
common objects of domestic life. Moreover, the directress of studies
embellishes the walls of the hut with rude pictures, each with its special
significance and song, which must be understood and learned by the
girl.(72) In the foregoing account the rule that a damsel at puberty may
neither see the sun nor touch the ground seems implied by the statement
that on the first discovery of her condition she hides in long grass and
is carried home after sunset on the back of an old woman.
Public-domain text, read in full here on John Shaqi.
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