The golden verses of PythagorasFabre d'Olivet, Antoine
Religion
The golden verses of Pythagoras
Fabre d'Olivet, Antoine
Poetry -- History and criticism; Pythagoras and Pythagorean school
Poetry, transported with the seat of religion from the mountains of
Thrace to those of Phocis, lost there, as did religion, its primitive
unity. Not only did each sovereign pontiff use it to spread his
dogmas, but the opposed sects born of the rending of the cult, vying
with each other, took possession of it. These sects, quite numerous,
personified by the allegorical genius which presided over poetry, and
which, as I have said, constituted its essence, were confused with the
mind which animated them and were considered as a particular being.
Thence, so many of the demi-gods, and the celebrated heroes, from whom
the Greek tribes pretended to have descended; thence, so many of the
famous poets to whom were attributed a mass of works that emanated
from the same sanctuary, or were composed for the support of the same
doctrine. For it is well to remember that the allegorical history of
these remote times, written in a different spirit from the positive
history which has succeeded it, resembled it in no way, and that it is
in having confused them that so many grave errors have arisen. It is a
very important observation that I again make here. This history,
confided to the memory of men or preserved among the sacerdotal
archives of the temples in detached fragments of poetry, considered
things only from the moral side, was never occupied with individuals,
but saw only the masses; that is to say, peoples, corporations, sects,
doctrines, even arts and sciences, as so many particular beings that
it designated by a generic name. It is not that these masses were
unable to have a chief to direct their movements, but this chief,
regarded as the instrument of a certain mind, was neglected by history
which attached itself to the mind only. One chief succeeded another
without allegorical history making the least mention of it. The
adventures of all were accumulated upon the head of one alone. It was
the moral thing whose course was examined, whose birth, progress, or
downfall was described. The succession of things replaced that of
individuals. Positive history, which ours has become, follows a method
entirely different. The individuals are everything for it: it notes
with scrupulous exactitude dates and facts which the other scorns. I
do not pronounce upon their common merit. The moderns would mock that
allegorical manner of the ancients, if they could believe it possible,
as I am persuaded the ancients would have mocked the method of the
moderns, had they been able to foresee its possibility in the future.
How approve of what is unknown? Man approves of only what he likes; he
always believes he knows all that he ought to like.
Public-domain text, read in full here on John Shaqi.
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