The golden verses of PythagorasFabre d'Olivet, Antoine
Religion
The golden verses of Pythagoras
Fabre d'Olivet, Antoine
Poetry -- History and criticism; Pythagoras and Pythagorean school
Lysis, speaking always in the name of Pythagoras, addressed himself to
those of the disciples of this theosophist, who had reached the
highest degree of perfection, or autopsy, and the felicity of their
welfare. I have said often enough in the course of these Examinations,
what should be understood by this last degree, so that I need not
refer to it here. I shall not even pause upon what has reference to
the symbolic teachings of Pythagoras, the formularies and dietetics
that he gave to his disciples, and the abstinences that he prescribed
for them, my design being to give incidentally a particular
explanation of it, for the purpose of not further prolonging this
volume. It is well known that all of the eminent men, as many among
the ancients as among the moderns, all the savants commendable for
their labours or their learning, are agreed in regarding the precepts
of Pythagoras as symbolical, that is, as containing figuratively, a
very different meaning from that which they would seem to offer
literally.[666] It was the custom of the Egyptian priests from whom he
had imbibed them,[667] to conceal their doctrine beneath an outer
covering of parables and allegories.[668] The world was, in their
eyes, a vast enigma, whose mysteries, clothed in a style equally
enigmatical, ought never to be openly divulged.[669] These priests had
three kinds of characters, and three ways of expressing and depicting
their thoughts. The first manner of writing and of speaking was clear
and simple; the second, figurative; and the third, symbolic. In the
first, they employed characters used by all peoples and took the words
in their literal meaning; in the second, they used hieroglyphic
characters, and took the words in an indirect and metaphorical
meaning; finally in the third, they made use of phrases with double
meaning of historic and astronomical fables, or of simple
allegories.[670] The _chef-d’œuvre_ of the sacerdotal art was uniting
these three ways, and enclosing under the appearance of a clear and
simple style, the vulgar, figurative, and symbolic meaning. Pythagoras
has sought this kind of perfection in his precepts and often he has
succeeded; but the one of all the theosophists instructed in the
sanctuaries of Thebes or of Memphis, who has pushed farthest, this
marvellous art, is beyond doubt Moses. The first part of his Sepher,
vulgarly called _Genesis_, and that should be called by its original
name of _Bereshith_, is in this style, the most admirable work, the
most astounding feat of strength that is possible for a man to
conceive and execute. This book, which contains all the science of the
ancient Egyptians, is still to be translated and will only be
translated when one will put oneself in a condition to understand the
language in which it has primitively been composed.
37. _So that, ascending into radiant Ether,
Midst the Immortals, thou shalt be thyself a God._
Public-domain text, read in full here on John Shaqi.
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