The golden verses of PythagorasFabre d'Olivet, Antoine
Religion
The golden verses of Pythagoras
Fabre d'Olivet, Antoine
Poetry -- History and criticism; Pythagoras and Pythagorean school
If one listens to the discourse of those who have been much inclined
to study the savant language of the Indians, Sanskrit, he will be
persuaded that it is the most perfect language that man has ever
spoken. Nothing, according to them, can surpass its riches, its
fertility, its admirable structure; it is the source of the most
poetic conceptions and the mother of all the dialects which are in use
from the Persian Gulf to the waters of China.[198] It is certain that
if anything can prove to the eyes of savants the maternal rights that
this tongue claims over all the others, it is the astonishing variety
of its poetry: what other peoples possess in detail, it possesses _in
toto_. It is there that Eumolpœia, Epopœia, and Dramatic Art shine
with native _éclat_: it is there that poetry divine and rational,
poetry allegorical and passionate, poetry stirring and even romantic,
find their cradle. There, all forms are admitted, all kinds of verse
received. The _Vedas_, pre-eminently sacred books, are, like the Koran
of Mohammed, written in cadenced prose.[199] The _Pouranas_, which
contain the theosophy and philosophy of the Brahmans, their system
concerning Nature, their ideas upon morals and upon natural
philosophy, are composed in philosophical verse not rhymed; they are
attributed to Vyasa, the Orpheus of the Indians. Valmiki, who is their
Homer, has displayed in the _Ramayana_ an epopœia magnificent and
sublime to the highest degree; the dramas, which they call Nataks,
are, according to their style, rhymed and not rhymed: Bheret is
considered as their inventor; Kalidasa as their perfecter.[200] The
other kinds of poetry are all rhymed; their number is immense; their
variety infinite. Nothing equals the industry and delicacy of the
Indian rhymers in this style. The Arabs all skilful as they were, the
Oscan troubadours whose rhyme was their sole merit, have never
approached their models.[201] Thus, not only does one find among the
Indians the measured verse of the Greeks and Romans, not only does one
see there rhythms unknown to these two peoples, but one recognizes
also there our rhyme with combinations of which we have no idea.
Public-domain text, read in full here on John Shaqi.
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