The golden windmill, and other storiesAumonier, Stacy
Philosophy
The golden windmill, and other stories
Aumonier, Stacy
English fiction -- 20th century; Short stories, English
illusion.
He knew that many weeks went by, and still they would not let him walk.
That was his greatest trouble, for walking helped him. When he could
walk, he could sometimes live in a happier world of make-believe, but in
bed the epic tragedy unfolded itself in every livid detail, intensely
real.
Long periods of time went by, and still he was not allowed to leave
his room. His mother would come and sit with him and read him Giles’s
letters. They were wonderful letters, full of amusing stories of “rags”
and tales of splendid feeds obtained under difficult circumstances. Of
the conditions that existed so vividly in Robin’s mind there was not one
word. To read Giles’s letters one would imagine that he was away on a
holiday with a party of young undergraduates, having the time of their
lives. But the letters had no reality to him. _He knew. He had seen it
all._
Time became an unrecognizable factor. Faces came and went. His mother was
always there, and there appeared another kind face whom he believed to be
a nurse; and sometimes Jerry Lawson would come and sit by the bed, and
talk to him about the beauties of the quattrocento and other things he
had forgotten, things which belonged to a dead world....
Lying there in bed, he could not detach these impressions very clearly,
nor determine how long ago they had taken place. There appeared to be an
unaccountable shifting of the folds of darkness, a slipping away of vital
purposes, and a necessity for focusing upon some immediate development.
This necessity seemed, somehow, emphasized by the overpowering pain that
had begun to rack his limbs, more especially his right foot. He wanted
to call out, but some voice told him that it would be useless. The night
was too impenetrable and heavy, his voice would only die away against
its inky pall. There was besides a certain soothing tenderness about
it, as though it were caressing him and telling him that he must wait
in patience, and all would be well. He knew now that he was sleeping
in the open, and that would account for the chilling coldness. At the
same time it was not exactly the open. There were walls about and jagged
profiles, but apparently no roof or distances. The ground was hard like
concrete. He must be infinitely patient and pray for the dawn.... He
began to feel the dawn before he saw it. It came like the caressing sigh
of a woman as she wakes and thinks of her lover in some foreign clime.
Somewhere at hand a bird was twittering, aware too of the coming miracle.
Almost imperceptibly things began to form themselves. He was certainly
behind a wall, but there was a door, with the upper part leaning in. A
phrase occurred to his mind: “The white arm of dawn is creeping over the
door.” A lovely passage! He had read it in some Irish book. The angle at
the top of the door was like a bent elbow. It was very, very like the
white arm—of some Irish queen, perhaps, or of the Mother of men—a white
Public-domain text, read in full here on John Shaqi.
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