Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
She did not mention Daniel, and her silence condemned him more
completely than her husband’s acrimonious speeches. She held firmly an
almost religious doctrine of the complete obedience which children owe
their parents, and doubted Marian’s power to punish properly a breach of
this sacred law.
When Marian was left alone, she sat down by the window of the little
room, and gazed sadly down at the river. Without any curl of waves the
yellow water glided by and washed the walls of the houses on the other
bank. She had a view of the Museum Bridge and another bridge, and the
crowding of people on the bridges disquieted her.
She walked through the streets, and stopped at the head of the Museum
Bridge. She thought that every human being who lived in the town must
pass by here sooner or later. Her attentive glance searched all faces,
and where one escaped, she followed the figure as it melted into the
dark. But as it grew later the people were fewer and fewer.
At night she would lie awake, and listen to the dull echo of the feet of
the last passerby. Next day from morning to twilight she would wander up
and down the streets. What she saw weighed on her heart. The city people
seemed to her like dumb animals, tormented and angry. The narrow streets
stopped her breath; the hubbub deadened her senses.
But she was never tired of seeking.
On the fifth day she did not come home until ten o’clock. Theresa, who
had gone to bed, sent her a plate of lentil soup. While she was avidly
eating the soup she heard steps in the hall and a knock at the door.
Jason Philip entered. “Come along at once,” was all he said. But she
understood. With trembling fingers she threw a shawl across her
shoulders, since the October nights were growing cool, and followed him
in silence.
They went up hill to Adler Street, turned into it and then into a
narrow, dark little alley at the right. A lantern hung above a door and
on a green glass pane were inscribed the words: “The Vale of Tears.” A
greenish light suffused the stone stairs that led to the cellar, the
kegs and the desolate room filled with chairs and benches. A sourish
smell of wine arose from the place.
Beside the entrance there was a barred window. Beside it Jason Philip
stopped, and beckoned Marian to join him.
At the long tables below them sat a queer crowd. They were young men,
but such as one never finds in ordinary houses and only very rarely in
the streets. Want seemed to have driven them to huddle here, and the
night to have lured them from their hiding places—shipwrecked creatures
they seemed who had fled to a cavern on some deserted shore. They had
absurdly gay cravats and sad, pallid faces, and the greenish light made
them look altogether like corpses. It was long since a barber had
touched their hair or a tailor their garb.
Public-domain text, read in full here on John Shaqi.
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