Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
The blank fluttered to the floor, whence the weak-minded Hadebusch Jr.
picked it up, rolled it in the shape of a bag, and applied that bag,
trumpet-like, to his lips, a procedure which caused the document in
question to be gradually soaked through and thus withdrawn from its
official uses. Frau Hadebusch was too little concerned over the police
regulations to take further thought of her duties as the keeper of a
lodging house.
Herr Francke drew from his pocket a pack of greasy cards and began to
shuffle them. Frau Hadebusch giggled and it sounded like a witch
rustling in the fire. The Methodist conquered his pious scruples, and
placed his pfennigs on the table; the town-traveller turned up his
sleeves as though he were about to wring a hen’s neck.
Before very long there arose a dissonant controversy, since Herr
Francke’s relations with the goddess of fortune were strained and
violent. The old brush-maker poked his head in at the door and cursed;
the weak-minded boy blew dreamily on his paper trumpet; and the company
that had been so peacefully at one separated in violence and rage.
II
Daniel wandered up to the castle, along the walls, over the bridges and
planks.
It was his youth that caused him so to love the night that he forgot all
men and seemed to himself to be alone on earth. It was his youth that
delivered him up to things with such passion that he was able to weave
the ghostly flowers of melodies about all that is visible—melodies that
were so delicate, so eloquent, and so winged that no pen could ever
record them. They vanished and died whenever he sought to capture them.
But it was also his youth that fired his eyes with hatred when he saw
the comfort of lit windows, and filled his heart with bitterness against
the satisfied, the indifferent, the strangers, the eternal strangers who
had no consciousness of him.
He was so small and so great: small in the eyes of the world, great in
his own estimation. When the tones burst from him like sparks from an
anvil, he was a god. When he stood in the dark court behind the City
Theatre waiting for the final chorus of “Fidelio” to penetrate the wall
and reach his grateful ears, he was an outcast. Fountains of music
rustled all about him. He looked into the eyes of the children and there
was melody; he gazed up at the stars and there was harmony. He finally
came to the point where there was no limit. His day was a waste place,
his brain a parched field in the rain, his thoughts were birds of
passage, his dreams a super-life.
Public-domain text, read in full here on John Shaqi.
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