Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
It was March, and a sudden cold had set in; and Frau Hadebusch had a
superstitious fear of coal, which she characterised as Devil’s dung. At
the back of the yard was the wood pile, and logs were brought in with
which to feed the oven fires. But wood was dear, and had Daniel fed his
little iron stove in the garret with such costly food, his monthly bill
would have reached a fabulous height. He paid seven marks a month for
his room and counted every penny so as not to shorten the period of his
liberty by any needless expenditure.
So he sat freezing over his books and scores until the first warmth of
spring stole in through the windows. The books he borrowed from the
library at the King’s Gate, and paid six pfennigs a volume. Achim von
Arnim and Jean Paul were his guides in those days: the one adorned the
world of the senses for him, the other that of the soul.
On the police department’s identification blank Daniel had called
himself a musician. Frau Hadebusch brought the paper into her living
room, which, like all the rooms of the house, seemed built for dwarfs
and reeked of limewater and lye. It was at the day’s end, and in the
room were assembled Herr Francke and Herr Benjamin Dorn, who lodged on
the second floor, and Frau Hadebusch’s son, who was weak-minded and
crouched grinning beside the stove.
Herr Francke was a town traveller for a cigar house, and was regarded as
a good deal of a Don Juan by the female servants of the neighbourhood.
Benjamin Dorn was a clerk in the Prudentia Life Insurance Company,
belonged to a Methodist congregation, and was respected by all the
respectable on account of his Christian walk and conversation.
These gentlemen examined the document thoroughly and with frowns. Herr
Francke gave it as his opinion that a musician who never made music
could scarcely be regarded as one.
“He’s probably pawned his bass violin or bugle or whatever he was
taught,” he said contemptuously; “perhaps he can only beat a drum. Well,
I can do that too if I have one.”
“Yes, you’ve got to have a drum to be a drummer,” Benjamin Dorn
remarked. “The question, however, is whether such a calling is in
harmony with the principles of Christian modesty.” He laid his finger on
his nose, and added: “It is a question which, with all proper humility,
all proper humility, you understand, I would answer in the negative.”
“He hasn’t any relatives and no acquaintances at all,” Frau Hadebusch
wailed, and her voice sounded like the scraping of carrots on a grater;
“and no employment and no prospects and no boots or clothes but what
he’s got on. In all my life I haven’t had no such lodger.”
Public-domain text, read in full here on John Shaqi.
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