Composers -- Fiction; German fiction -- Translations into English; Germany -- Fiction
Daniel gritted his teeth—just a little. His face turned to a greenish
hue. But the face of his would-be friend, schooled in affairs of the
spirit, showed a winning trace of human kindness. It conquered Daniel;
it made him gentle. He submitted. Dr. Benda laid the money for the mask
on the counter, and Daniel was as silent as the tomb.
When they left the shop, Daniel held the mask under his arm so tightly
that the paper wrapping was crushed, if the mask itself was not. The sad
state of his clothing and his haggard appearance in general struck Dr.
Benda at once and forcibly. He needed to ask but a few well chosen
questions to get at the underlying cause of this misery, physical and
spiritual, in human form. He pretended that he had not lunched and
invited Daniel to be his guest at the inn at the sign of the Grape.
Daniel felt that his soul had suddenly been unlocked by a magic key. At
last—he had ears and could hear, eyes and could see. It seemed to him
that he had come up to earth from out of some lightless, subterranean
cavern. And when they separated he had a friend.
THE NERO OF TO-DAY
I
The spectacle of wellnigh complete degeneracy offered by the
roister-doistering slough brethren of the Vale of Tears gave Herr
Carovius a new lease on life. He had a really affable tendency to
associate with men who were standing just on the brink of human
existence. He always drank a great deal of liqueur. The brand he
preferred above all others was what is known as Knickebein. Once he had
enjoyed his liberal potion, he became jovial, friendly, companionable.
In these moods he would venture the hardiest of assertions, not merely
in the field of eroticism, but against the government and divine
providence as well.
And yet, when he trippled home with mincing steps, there was in his face
an expression of cowardly, petty smirking. It was the sign of his inner
return to virtuous living; for his night was not as his day. The one
belied the other.
He had a quite respectable income; the house in which he lived was his
own private property. It was pointed out to strangers as one of the
sights of the town; it was certainly one of the oldest and gloomiest
buildings in that part of the country. An especially attractive feature
of it was the smart and graceful bay-window. Above the beautifully
arched outer door there was a patrician coat-of-arms, consisting of two
crossed spears with a helmet above. This was chiselled into the stone.
In the narrow court was a draw-well literally set in a frame of moss.
Each floor of the house had its own gallery, richly supplied with the
most artistic of carvings. The stairway was spacious; the tread of the
steps was broad, the elevation slight; there were four landings. It
symbolised in truth the leisurely, comfortable tarrying of centuries
gone before and now a matter of easy memory only.
Public-domain text, read in full here on John Shaqi.
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