When he has repeated the words “Depart, ye kindly spirits of our ancestors” nine times, he looks round at last and the ceremony is complete. The history of Rome, as Mr. Warde Fowler discerns it in religion, begins with an extremely simple rustic worship of natural forms, meteoric stones, sacred trees and animals such as the Mother Wolf or Mars’ woodpeckers; to this stage belong many of the curious spells and charms against ghosts. This sort of worship is not distinctively Roman, but common to the greater part of Central Europe. From these savage local cults we pass to the more centralised worship which belongs to the household, and that household an agricultural one. The father is the priest, and his principal deity is Janus, the god of the doorway; his sons are the subordinate _flamines_; and his daughters have special charge of Vesta, who presides over the family hearth-fire. Their agricultural activities are reflected in the more orderly rural ceremonies in honour of Saturn, Ops, and Vesta. Thirdly, we have a series of cults which indicate the beginnings of a community with the king for chief priest, supported by State Vestals and _flamines_. The Latin Festival marks the participation of Rome in the Latin League, whose presiding deity was Jupiter. In these three stages it is mainly an affair of formless powers or “numina,” deities very scantily realised, with little or no personality, scarcely to be termed anthropomorphic at all. Instead of temples there was nothing but altars, chapels, groves. If we view these changes in the light of ethnology we shall probably agree that the first of them is the common ground of prehistoric Mediterranean worship. It is what we find in Crete at the earliest period. But we have come to regard the strict monogamous patriarchal family as especially the contribution of the north to the civilisation of Europe. Unfortunately those deities who are most certainly plebeian, such as Ceres, Flora, and Diana, do not seem to belong to the earlier strata of religion. However that may be, it seems that we can trace in the next succeeding stage a period of public worship connected with clearly anthropomorphic deities who have temples, priests, and probably images of their own. Towards the end of the monarchic period we find those distinctly Etruscan characteristics of which I have already spoken. Jupiter, Juno, and Minerva are an Etruscan trinity. Now begins the pre-eminence of greater gods more or less personified and closely resembling those of the Greeks--such as Mercury, Ceres, and Diana. It is now that the important priestly colleges, pontifices, and augurs are founded, largely replacing, as being more important politically, the old agricultural brotherhood of the Fratres Arvales and the martial fraternity of the Salii.