Thus in religion as in art the Romans were prepared by their Etruscan connections for their subsequent capture by Greek civilisation. It was inevitable that a Greek should recognise Diana as Artemis, Minerva as Pallas, Mercury as Hermes, and Juno as Hera. It was equally inevitable that the Romans should be willing to clothe these bare and chilly abstractions with the charming fabric of Greek mythology. That process, and the simultaneous reception at Rome of Oriental cults, form still later stages in the progress of that strange medley which passed in the Rome of literature for religion. There is little to elevate or inspire in Roman religion. The only virtue belonging to it was reverence and the strict sense of duty which a Roman called _pietas_, explaining it as “justice towards the gods.” “Religion” meant “binding obligation” to the Romans; its source was fear of the unseen, its issue was mainly punctilious formalism. No doubt the gods would punish disrespect to a parent or rebellion against the state, no doubt a fugitive or a slave had altars and sanctuaries where he might claim mercy; but there is little more than that to connect virtue with religion at Rome. On the other hand, we are not to suppose that when the lascivious rites of Isis and Ashtaroth or the Paphian Venus came to Rome in later days they came to corrupt a race of pious puritans. True Roman deities like Flora, Fortuna Virilis, and Anna Perenna had a native bestiality of their own. The simple rustic is seldom a natural puritan, and we must beware of idealising our Early Roman as a Scottish Covenanter. There was savage cruelty in many of the early rites, such as the Ver Sacrum when all the offspring of men and cattle within a specified period was devoted to the gods, or the Fordicidia when unborn calves were burnt. Human sacrifice looms large in the early religion, and it was probably only a later refinement which limited it to criminals or volunteers. Mommsen has drawn our attention to the business-like relation between worshipper and god, for that is also typical of the old Roman character. “The gods,” he says, “confronted man just as a creditor confronted a debtor.... Man even dealt in speculation with his god: a vow was in reality as in name a formal contract between the god and the man by which the latter promised to the former for a certain service to be rendered a certain equivalent return.” Nay, he might venture to defraud his god. “They presented to the lord of the sky heads of onions or poppies, that he might launch his lightnings at these rather than at the heads of men. In payment of the offering annually demanded by father Tiber, thirty puppets plaited of rushes were annually thrown into the stream.” It may be true, as Mr. Warde Fowler argues, that the bargain sometimes took the form of a lively sense of favours to come, but a _votum_ was essentially a business transaction.