EPILOGUE 305 CHRONOLOGICAL SUMMARY 317 BIBLIOGRAPHY 325 INDEX 329 NOTE _The cameo on the front cover of this volume is from a sardonyx head of Germanicus in the Carlisle collection._ LIST OF ILLUSTRATIONS PHOTOGRAVURE PLATES HEAD OF AUGUSTUS WITH CROWN OF OAK-LEAVES _Frontispiece_ Engraved by Emery Walker from a photograph by Bruckmann of the original in the Glyptothek, Munich. An idealised portrait of the emperor in middle life. He wears the _corona civica_. See p 169 “CLYTIE” 248 Engraved by Emery Walker from a photograph by Mansell & Co. of the original marble in the British Museum. An idealised portrait-bust of a lady of the imperial family, possibly Antonia, the work of a Greek artist of the Augustan Age. The name “Clytie” has no authority: the frame of petals is purely decorative * * * * * MAP (IN COLOUR) THE ROMAN EMPIRE AT ITS FULLEST EXTENT 194 * * * * * PLATES 1 GENERAL VIEW OF ROMAN FORUM 4 From a photograph by Anderson. The view is taken from the Capitol, looking S.E. at the Arch of Titus, on the left of which part of the Colosseum is visible. The background on the right is filled by the Palatine Hill and the substructures of Caligula’s Palace, in front of which the walls of the Temple of Augustus are visible. To the right of the middle are three columns and part of the entablature of the Temple of Castor. In the centre is the Column of Phocas. The foreground is occupied by the Arch of Severus (l.) the Temple of Saturn (r.) and two Corinthian columns of the Temple of Vespasian 2 THE ROMAN CAMPAGNA 6 From a photograph by Anderson. The ruined arches belonged to the Aqueduct of Claudius. See p. 293 3 VIEW OF SPOLETO 8 From a photograph by Anderson. Modern view showing a typical hill-town or _arx_. Spoletium is chiefly famous in ancient history for its gallant repulse of Hannibal in 217 B.C. 4 THE CAPITOLINE WOLF 18 From a photograph by Anderson of the original bronze in the Palace of the Conservatori, Rome. The wolf herself is ancient, probably of Etruscan workmanship. See p. 18