Meanwhile, the simple theme of The Grateful Dead passed into Europe by other paths. Once over the border, it met a tale with which it readily combined, producing a type not less influential than the one just mentioned. This new motive was The Ransomed Woman, the origin of which is at present quite unknown. Though it is seemingly Oriental in character, all versions yet unearthed come from Europe, so that its provenance must be left in uncertainty. At all events, it was known in eastern Europe, and it was there in all probability that it became amalgamated with The Grateful Dead. How early this took place cannot be stated, but long enough before the fourteenth century to allow the passage of the compound type to France by that time, when it was retold by Gobius with a good deal of mutilation in his Scala Celi. [271] The points of contact, which led to the combination, have already been discussed in the chapter dealing with the type. [272] Suffice it to say at this point that they were, in brief, the journey of the hero, his rescue, and the wife whom he gained at the end of the story. As in the case of The Poison Maiden, the compound seems to have arisen quite naturally by means of these correspondences, with the end of making a more romantic and satisfactory tale. That it took place quite unconsciously seems clear, but that the result was successful is proved by the solidarity of the type thus produced, though it has subsequently been carried into every part of Europe. The relationship of versions, between thirty and forty in number, is unmistakable.