The Grateful Dead: The History of a Folk StoryGerould, Gordon Hall
General
The Grateful Dead: The History of a Folk Story
Gerould, Gordon Hall
Dead -- Folklore; Folk literature -- Themes, motives; Grateful dead (Tale)
Yet one who follows imperfectly the counsels of perfection may
discover certain defects in Hippe's work. He neglects altogether
Cosquin's hint as to the combination of the theme with The Water
of Life and allied tales, thus leaving out of account an important
element, which is intimately connected with the chief motive in a large
number of tales. Indeed, his effort to simplify, commendable and even
necessary as it is, brings him to conclusions that in some respects,
I believe, are not sound. Though he states the essential points of the
primitive story in a form [14] which can hardly be bettered and which
corresponds almost exactly to the one that I have been led to accept
from independent consideration of the material, [15] he fails to see
that he is dealing in almost every case, not with a simple theme with
modified details but with compound themes. Thus he starts out with the
"Sage vom dankbaren Toten und der Frau mit den Drachen im Leibe" [16]
and explains all variations from this type either by the weakening of
this feature and that or by the introduction of a single new motive,
the story of The Ransomed Woman. He would thus make it appear [17]
that we have a well-ordered progression from one combined type to
various other combined and simplified types. Such a series is possible
without doubt, but it can hardly be admitted till the interplay of
all accessible themes, which have entered into combination with the
chief theme, is investigated. Hippe passes these things over silently
and so gives the subject a specious air of simplicity to which it
has no right.
I should be the last to deny the necessity of treating narrative
themes each for itself, and I have nothing but admiration for the
general conduct of Hippe's investigation; but I wish to show that
his methods, and therefore his results, are at fault in so far as
he does not recognize the nature of the combinations into which
The Grateful Dead enters. Traces of other stories, unless their
presence is obviously artificial, must be carefully considered,
since in dealing with cycles of such fluid stuff as folk-tales it
is certainly wise to give each element due consideration. Certain
minor errors in Hippe's article will be mentioned in due course,
though my constant obligations to it must be emphasized here.
Public-domain text, read in full here on John Shaqi.
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