The Great Horse; or, The War Horse: from the time of the Roman Invasion till its development into the Shire Horse. — John Shaqi
The Great Horse; or, The War Horse: from the time of the Roman Invasion till its development into the Shire Horse.Gilbey, Walter, Sir
History
The Great Horse; or, The War Horse: from the time of the Roman Invasion till its development into the Shire Horse.
Gilbey, Walter, Sir
Horses; Horses -- Great Britain -- History; Shire horse
Parenthetically, it is worth noticing that while a large proportion of
the few coins known to be British bear the effigy of a horse, not one of
the Roman coins figured in Camden’s _Britannia_ bear such a device; nor
do the coins of Saxon origin. To a horse-loving people this proof of the
esteem in which their forefathers held the animal is particularly
interesting. A large white horse is stated by Mr. Walker, Camden’s
collaborator, to have been the ensign of Hengist and Horsa, who landed
in Britain in A.D. 449, and this seems to be the only instance in which
the figure of a horse was employed as an emblem by others than the
Britons.
Mr. Walker, whom Camden introduces as the great expert of the day,
remarks, _apropos_ of the coins figured in the _Britannia_, that in
ancient times special value attached to white horses; in this respect,
however, horses were not singular, white animals of all domesticated
species being regarded with peculiar favour, and commonly selected as
gifts to Royalty, and as ceremonial tribute when state or tribe was
required to acknowledge suzerainty. Mr. Walker asserts also, that only
men of the highest rank were permitted to ride white horses on state
occasions. That the use of a white steed implied dignity is well shown
by the treatment accorded John of France by Edward the Black Prince when
he conducted the French King to London. Anxious that the captive should
appear not as a prisoner but as a royal guest, John “was clad in royal
robes, and was mounted on a white steed, distinguished by its beauty and
size; whilst the conqueror, in meaner attire, was carried by his side on
a black palfrey.” Richard Berenger, gentleman of the horse to George
III., who wrote _The History and Art of Horsemanship_, published 1771,
observes that “The King of Naples at this day pays an annual fief of a
white horse to the See of Rome as acknowledgment for the kingdom which
he holds from the Pope.” Thus we see that the ceremonial value of the
white horse was both ancient and lasting. We must not, however, allow
this point to detain us.
FROM THE SEVENTH CENTURY TO THE CONQUEST.
Public-domain text, read in full here on John Shaqi.
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