The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata — John Shaqi
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
History
The Great Indian Epics : $b The Stories of the Ramayana and the Mahabharata
Epic literature, Sanskrit -- Adaptations; Heroes -- India -- Fiction; Hindu mythology -- Fiction; India -- Social life and customs -- Fiction
In the ancient land of Kosala, watered by the River Surayu, stood the
famous Ayodhya,[14] a fortified and impregnable city of matchless
beauty, and resplendent with burnished gold, where everyone was
virtuous, beautiful, rich and happy. Wide streets traversed this city
in every direction, lined with elegant shops and stately palaces
glittering all over with gems. There was no lack of food in Ayodhya,
for “it abounded in paddy and rice, and its water was as sweet as
the juice of the sugar-cane.” Gardens, mango-groves and “theatres
for females” were to be found everywhere. Dulcet music from _Venas_
and _Panavas_ resounding on all sides, bore evidence to the taste of
the people. Learned and virtuous Brahmans, skilled in sacrificial
rites, formed a considerable proportion of the population; which also
included a crowd of eulogists and “troops of courtesans.” The pride
of ancient families supported a large number of genealogists. Hosts
of skilled artisans of every kind contributed to the conveniences and
elegancies of life, while an army of doughty warriors protected this
magnificent and opulent city from its envious foes. Over this wonderful
and prosperous capital of a flourishing kingdom, ruled King Dasahratha,
a man some sixty thousand years of age, gifted with every virtue and
blessed beyond most mortals. But, as if to prove that human happiness
can never exist unalloyed with sorrow, even he had one serious cause
for grief; he was childless, although he had three wives and seven
hundred and fifty concubines.[15] Acting upon the advice of the
priests, the Maharajah determined to offer, with all the complicated
but necessary rites, the sacrifice of a horse, as a means of prevailing
upon the gods to bless his house with offspring. The accomplishment
of such a sacrifice was no easy matter, or to be lightly undertaken,
even by a mighty monarch like Dasahratha, since it was an essential
condition of success that the sacrifice should be conducted without
error or omission in the minutest details of the ritual of an intricate
ceremony, extending over three days. Not only would any flaw in the
proceedings render the sacrifice nugatory, but it was to be feared that
learned demons (Brahma-Rakshasas), ever maliciously on the look-out
for shortcomings in the sacrifices attempted by men, might cause the
destruction of the unfortunate performer of an imperfect sacrifice
of such momentous importance. However, the sacrifice was actually
performed on a magnificent scale and most satisfactorily, with the
assistance of an army of artisans, astrologers, dancers, conductors of
theatres, and persons learned in the ceremonial law. Birds, beasts,
reptiles, and aquatic animals were sacrificed by the priests on this
auspicious occasion, but the sacred horse itself was despatched,
with three strokes, by the hand of Kauçalya, Dasahratha’s queen. When
the ceremonies had been conducted to a successful close, Dasahratha
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