The great painters' gospel : $b pictures representing scenes and incidents in the life of Our Lord Jesus Christ, with Scriptural quotations, references and suggestions for comparative studyBailey, Henry Turner
Religion
The great painters' gospel : $b pictures representing scenes and incidents in the life of Our Lord Jesus Christ, with Scriptural quotations, references and suggestions for comparative study
Bailey, Henry Turner
Jesus Christ -- Art; Jesus Christ -- Biography; Painting
_Hofmann, Plate 31,_ tells of the quiet days at Nazareth, when Joseph
worked at his trade, and Mary sat near spinning and watching the
wondrous lad who in his child-way could help Joseph by fetching a
needed tool. It was a peaceful, happy life, like that of the chickens
and the doves. The memories of those days furnished Jesus with the
wonderful figure of speech recorded in Matt. 23:37, 38. Hofmann, like
other artists, is fond of symbolism, hence the square and the
measuring stick are upon the shoulder of the child (Is. 9:6) who was
to lay judgment to the line and righteousness to the plummet (Is.
28:17); and the tools take the form of the cross. Jesus was subject
unto his parents (Luke 2:51), and, in a sense, took up his cross
daily, as all his disciples must ever do (Matt. 16:24). Such service
is healthful and profitable (Luke 2:52).
[Illustration: Infancy of Christ.]
Plate 31. _Infancy of Christ._ H. Hofmann. 1824-
THE VISIT TO JERUSALEM.
Joseph and Mary probably went every year to Jerusalem at the feast of
the passover. (Deut. 16:16.) And when Jesus was twelve years old they
went up as usual taking him with them. (Luke 2:41-42.)
_Mengelberg, Plate 34,_ represents the holy family approaching the
city. The temple with its smoking altars is seen in the distance. The
artist has suggested the great company who went up every year to
worship, and with which, returning, Joseph and Mary supposed Jesus to
be.
[Illustration: Jesus, Twelve Years Old, on his way to Jerusalem.]
Plate 34. _Jesus, Twelve Years Old, on his Way to Jerusalem._ O.
Mengelberg.
_Hofmann, Plates 38 and 39,_ illustrates (Luke 2:46). Plate 38 is
from the drawing in the artist's Life of Christ. Plate 39, from the
famous painting in Dresden, is the more carefully finished. Hofmann
has shown the seal of Solomon upon the "chair of philosophy," he has
introduced the scroll of the prophets and suggested the rich stones
of the temple, but the interest of all is upon the Boy, who came to
fulfill the law and the prophets, and who was greater than the temple
and greater than Solomon. (Matt. 5:17, John 2:19-20, Matt. 12:42).
This picture has become a classic already, though Hofmann is still
living.
[Illustration: Christ Disputing with the Doctors.]
Plate 38. _Christ Disputing with the Doctors._ H. Hofmann. 1824-
[Illustration: In The Temple.]
Plate 39. _In The Temple._ H. Hofmann. 1824-
_Lafon, Plate 36,_ has idealized his subject. He has placed Jesus "in
Moses' seat" (Matt. 23:2), conferring upon him a distinction amply
justified by subsequent events especially by the Sermon on the Mount.
"It hath been said . . . but I say unto you . . ." these are the
words which give Jesus a unique position as a teacher.
[Illustration: Christ Among the Doctors.]
Plate 36. _Christ Among the Doctors._ Emile J. Lafon.
Public-domain text, read in full here on John Shaqi.
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