The great painters' gospel : $b pictures representing scenes and incidents in the life of Our Lord Jesus Christ, with Scriptural quotations, references and suggestions for comparative study — John Shaqi
The great painters' gospel : $b pictures representing scenes and incidents in the life of Our Lord Jesus Christ, with Scriptural quotations, references and suggestions for comparative studyBailey, Henry Turner
Religion
The great painters' gospel : $b pictures representing scenes and incidents in the life of Our Lord Jesus Christ, with Scriptural quotations, references and suggestions for comparative study
Bailey, Henry Turner
Jesus Christ -- Art; Jesus Christ -- Biography; Painting
_Hunt, Plate 35,_ adds that truthfulness of detail, that literalness
of statement made possible by the antiquarian and the archaeologist.
It is the moment described in Luke 2:48, when his mother speaks to
Jesus, "Son, why hast thou dealt thus with us?"
[Illustration: Finding of Christ in the Temple.]
Plate 35. _Finding of Christ in the Temple._ Holman Hunt. 1827-
_Dobson, Plate 37,_ shows the moment of discovery, the moment just
before Mary speaks. Some of the kinsfolk and acquaintances have
evidently returned with Joseph and Mary. A rabbi is telling them
about this wondrous child. (Luke 2:47.)
[Illustration: Christ Disputing in the Temple.]
Plate 37. _Christ Disputing in the Temple._ W. C. T. Dobson.
THE SILENT YEARS AT HOME.
Tradition says that Joseph soon died, and that Jesus supported the
family by working at his trade.
_Hunt, Plate 40_, has invented an occasion to emphasize the prophetic
words often applied to Mary, "Is any sorrow like unto my sorrow?"
(Lam. 1:12.) Simeon had said "Yea and a sword shall pierce through
thine own soul," and Mary, "pondering all these things in her heart,"
is startled, at the close of the day, by seeing the shadow of her son
cast upon the wall, like the form of one upon a cross.
[Illustration: Shadow of Death.]
Plate 40. _Shadow of Death._ Holman Hunt. 1827-
_Plockhoerst, Plate 41,_ depicts the parting of Mother and Son,--
another pang for the saintly Mary.
[Illustration: Christ taking leave of his Mother.]
Plate 41. _Christ taking leave of his Mother._ B. Plockhoerst. 1825-
_Plate 42_ is Andrea del Sarto's famous the youthful John the
Baptist, in the days before he came preaching in the of Judea. (Luke
1:80.)
[Illustration: John the Baptist.]
Plate 42. _John the Baptist._ Andrea del Sarto. 1488-1530.
_Titian, Plate 43,_ shows John as he appeared a few years later upon
the banks of Jordan, "his raiment of camel's hair, and a leathern
girdle about his loins." (Matt. 3:1-4.) He seems to be saying,
"Behold the Lamb of God, which taketh away the sin of the world."
(John 1:29.) The river is introduced as a symbol (Luke 3:16), and the
lamb also (John 1:35). Del Sarto seems to have studied this figure
before painting his boy John. Compare the two faces, and the two arms
and hands. Notice the two crosses also.
[Illustration: John the Baptist Preaching.]
Plate 43. _John the Baptist Preaching._ Titian. 1477-1576.
THE TEMPTATION.
_Scheffer, Plate 44,_ shows Jesus "upon an exceeding high mountain"
and Satan offering him the world for one act of worship. Jesus is
about to say, "Worship God." (Matt. 4:8-10.) _Hofmann, Plate 45,_ has
selected the next moment when Satan retreats and an angel comes to
minister to the famished man. (Matt. 4:11.) The serpent is present
because of Rev. 12:9.
[Illustration: Temptation of Christ.]
Plate 44. _Temptation of Christ._ Ary Scheffer. 1795-1858.
[Illustration: Temptation.]
Plate 45. _Temptation._ H. Hofmann. 1824-
THE BEGINNING OF PUBLIC SERVICE.
Public-domain text, read in full here on John Shaqi.
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