The Great Revival of the Eighteenth Century: With a supplemental chapter on the revival in AmericaHood, Edwin Paxton
History
The Great Revival of the Eighteenth Century: With a supplemental chapter on the revival in America
Hood, Edwin Paxton
Evangelical Revival
At what hour shall we fix the earliest dawn of the Great Revival? Among
the earliest tints of the “morning spread upon the mountains,” which was
to descend into the valley, and illuminate all the plains, was the
conversion of that extraordinary woman, Selina Shirley, the Countess of
Huntingdon; it is scarcely too much to call her the Mother of the
Revival; it is not too much to apply to her the language of the great
Hebrew song—“The inhabitants of the villages ceased, they ceased until
that I arose: I arose a mother in Israel.” She illustrates the
difference of which we spoke just now, for there can be no doubt that
she had a passionate instinct for souls, to do good to souls, to save
souls. Her injunctions for the destruction of all her private papers
have been so far complied with as to leave the earlier history of her
mind, and the circumstances which brought about her conversion, for the
most part unknown. It is certain that she was on terms of intimate
friendship with both Watts and Doddridge, but especially with Doddridge.
Another intimate friend of the Countess was Watts’s very close friend,
the Duchess of Somerset; and thus the links of the story seem to run,
like that old and well-known instance of communicated influence, when
Andrew found his own brother, Simon, and these in turn found Philip and
Nathaniel. It was very natural that, beholding the state of society
about her, she should be interested, first, as it seems, for those of
her own order; it was at a later time, when she became acquainted with
Whitefield, that he justified her drawing-room assemblies, by reminding
her—not, perhaps, with exact critical propriety—of the text in
Galatians, where Paul mentioned how he preached “privately to those of
reputation.”[4] For some time this appears to have been the aim of the
good Countess, much in accordance with that pretty saying of hers, that
“there was a text in which she blessed God for the insertion of the
letter M: ‘not _m_any noble.’” The beautiful Countess was a heroine in
her own line from the earliest days of her conversion. Belonging to one
of the noblest families of England, she had an entrance to the highest
circles, and her heart felt very pitiful for, especially, the women of
fashion around her, brokenhearted with disappointment, or sick with
_ennui_.
Footnote 4:
Appendix D.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account