How early the movement for an English Bible began, it is impossible now to say. Certainly just before 700 A.D., that first singer of the English tongue, Caedmon, had learned to paraphrase the Bible. We may recall the Venerable Bede's charming story of him, and how he came by his power of interpretation. Bede himself was a child when Caedmon died, and the romance of the story makes it one of the finest in our literature. Caedmon was a peasant, a farm laborer in Northumbria working on the lands of the great Abbey at Whitby. Already he had passed middle life, and no spark of genius had flashed in him. He loved to go to the festive gatherings and hear the others sing their improvised poems; but, when the harp came around to him in due course, he would leave the room, for be could not sing. One night when he had slipped away from the group in shame and had made his rounds of the horses and cattle under his care, he fell asleep in the stable building, and heard a voice in his sleep bidding him sing. When he declared he could not, the voice still bade him sing. "What shall I sing?" he asked. "Sing the first beginning of created things." And the words came to him; and, still dreaming, he sang his first hymn to the Creator. In the morning he told his story, and the Lady Abbess found that he had the divine gift. The monks had but to translate to him bits of the Bible out of the Latin, which he did not understand, into his familiar Anglo-Saxon tongue, and he would cast it into the rugged Saxon measures which could be sung by the common people. So far as we can tell, it was so, that the Bible story became current in Anglo-Saxon speech. Bede himself certainly put the Gospel of John into Anglo-Saxon. At the Bodleian Library, at Oxford, there is a manuscript of nearly twenty thousand lines, the metrical version of the Gospel and the Acts, done near 1250 by an Augustinian monk named Orm, and so called the Ormulum. There were other metrical versions of various parts of the Bible. Midway between Bede and Orm came Langland's poem, "The Vision of Piers Plowman," which paraphrased so much of the Scripture. Yet the fact is that until the last quarter of the fourteenth century there was no prose version of the Bible in the English language. Indeed, there was only coming to be an English language. It was gradually emerging, taking definite shape and form, so that it could be distinguished from the earlier Norman French, Saxon, and Anglo-Saxon, in which so much of it is rooted. As soon as the language grew definite enough, it was inevitable that two things should come to pass. First, that some men would attempt to make a colloquial version of the Bible; and, secondly, that others would oppose it. One can count with all confidence on these two groups of men, marching through history like the animals into the ark, two and two. Some men propose, others oppose. They are built on those lines.