The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and LiteratureMcAfee, Cleland Boyd
History
The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and Literature
McAfee, Cleland Boyd
Bible -- History; Bible -- Influence; Bible and literature; Bible. English -- Versions -- Authorized
Another thing to be said is that America has a
unique history among great nations in that it
has never been affected by any great religious
influence except that which has issued from the
Scriptures. No religion has ever been influential
in America except Christianity. For many
years there have been sporadic and spasmodic
efforts to extend the influence of Buddhism or
other Indian cults. They have never been successful,
because the American spirit is practical,
and not meditative. We are not an introspective
people. We do not look within ourselves
for our religion. Whatever moral and religious
influence our literature shows gets back first or
last to our Scriptures. The point of view of
nature that is taken by our writers like Bryant
and Thoreau is that of the Nineteenth Psalm.
Moreover, we have been strongly under the
English influence. Irving insisted that we ought
to be, that we were a young nation, that we
ought frankly to follow the leadership of more
experienced writers. Longfellow thought we
had gone too far that way, and that our poets, at
least, ought to be more independent, ought to
write in the spirit of America and not of traditional
poetry. Whether we ought to have yielded
to it or not, it is true that English influence
has told very strongly upon us, and the writers
who have influenced our writers most have been
those whom we have named as being themselves
under the Bible influence.
We need not go into detail about these writers,
though they are most attractive. Bryant did
for us what Wordsworth did for England. He
made nature seem vocal. "Thanatopsis" is not
a Christian poem in the narrow sense of the
word, and yet it could hardly have been written
except under Christian influence. His own genial,
beautiful character was itself a tribute to
Christian civilization, and his life, as critic and
essayist, has left an impression which we shall
not soon lose. Professor Richardson thinks
that the three problematical characters in American
literature are Emerson, Hawthorne, and
Poe. The shrewdest estimate of Poe that has
ever been given us is in Lowell's Fable for Critics:
"There comes Poe with his raven like Barnaby
Rudge,
Three-fifths of him genius, and two-fifths sheer
fudge,
Who has written some things quite the best of
their kind,
But the heart somehow seems all squeezed out by
the mind."
That says it exactly. Poe knew many horrible
situations, but he did not know the way out;
and of all our American writers laying claim to
place in the first class Poe shows least influence
of the Bible, and apparently needs it most.
Public-domain text, read in full here on John Shaqi.
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