The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and LiteratureMcAfee, Cleland Boyd
Religion
The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and Literature
McAfee, Cleland Boyd
Bible -- History; Bible -- Influence; Bible and literature; Bible. English -- Versions -- Authorized
The very mention of Coleridge makes one think of Wordsworth. They had a
Damon and Pythias friendship. The Wordsworths were poor; they had only
seventy pounds a year, and they were not ashamed. Coleridge called them
the happiest family he ever saw. Wordsworth was not narrowly a Christian
poet, he was not always seeking to put Christian dogma into poetry, but
throughout he was expressing the Christian spirit which he had learned
from the Bible. His poetry was one long protest against banishing God from
the universe. It was literally true of him that "the meanest flower that
grows can give thoughts that too often lie too deep for tears." If this
were the time to be critical, one would think that too much was sometimes
made of very minute occurrences; but this tendency to get back of the
event and see how God is moving is learned best from Scripture, where
Wordsworth himself learned it. If you read his "Intimations of
Immortality," or the "Ode to Duty," or "Tintern Abbey," or even the rather
labored "Excursion," you find yourself under the Scriptural influence.
There remains in this Georgian group the great prose master, Walter Scott.
Mr. Gladstone said he thought Scott the greatest of his countrymen. John
Morley suggested John Knox instead. Mr. Gladstone replied: "No, the line
must be drawn firmly between the writer and the man of action--no
comparison there."[36] He went on to say that Burns is very fine and true,
no doubt, "but to imagine a whole group of characters, to marshal them, to
set them to work, and to sustain the action, I must count that the test of
highest and most diversified quality." All who are fond of Scott will
realize how constantly the scenes which he is describing group themselves
around religious observances, how often men are held in check from deeds
of violence by religious conception. Many of these scenes crystallize
around a Scriptural event. Scott's boyhood was spent in scenes that
reminded him of the power the Scripture had. He was drilled from his
childhood in the knowledge of its words and phrases, and while his writing
as a whole shows more of the Old Testament influence than of the New, even
in his style he is strongly under Bible influence.
Public-domain text, read in full here on John Shaqi.
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