In the speech on the _Embassy_[374] he asserts that Aeschines, far from opposing Philip’s pretension to be recognized as an Amphictyon, was the only man who spoke in favour of it; yet Demosthenes himself had counselled submission. In the speech _Against Timocrates_ there are obvious exaggerations to the detriment of the defendant. Timocrates had proposed that certain debtors should be given time to pay their debts; Demosthenes asserts that he restored them to their full civic rights without payment.[375] Towards the end of the speech a statement is made which conflicts with one on the same subject in the exordium.[376] But such rhetorical devices are only trivial faults to which most politicians are liable.[377] The orator himself would probably feel that even more doubtful actions were justifiable for the sake of the cause which he championed. We must remember that all the really important cases in which he took part had their origin on political grounds, and during his public career he never relaxed his efforts for the maintenance of those principles which he expounded in his public harangues. Until the end he had hopes for Greek freedom, freedom for Athens, not based on any unworthy compromise, but dependent on a new birth of the old Athenian spirit. The regeneration which he pictured would be due to a revival of the spirit of personal self-sacrifice. Every man must be made to realize first that the city had a glorious mission, being destined to fulfil an ideal of liberty based on principles of justice; secondly that, to attain this end, each must live not for himself or his party but wholly for the city. It is the consciousness that Demosthenes has these enlightened ideas always present in his mind which makes us set him apart from other orators. Lycurgus, a second-rate orator, becomes impressive through his sincerity and incorruptibility; Demosthenes, great among orators, stands out from the crowd still more eminently by the nobleness of his aspirations. § 7. _Structure of Speeches_ The structure of the speeches will give us a last example of the versatility of the composer and his freedom from conventional form. We find, indeed, that he regularly has some kind of exordium and epilogue, but in the arrangement of other divisions of the speech he allows himself perfect freedom; we cannot reckon on finding a statement of the case in one place, followed regularly by evidence, by refutation of the opponent’s arguments, and so forth. All elements may be interspersed, since he marshals his arguments not in chronological nor even, necessarily, in logical order, but in such an arrangement as seems to him most decisive. He is bound by no conventional rules of warfare, and may leave his flanks unprotected while he delivers a crushing attack on the centre. In some cases it is almost impossible to make regular divisions by technical rule; thus, in the _de Corona_ there is matter for dispute as to where the epilogue really begins.[378]