The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
They ride in battle array. In the van a picket with drawn carbines; next
to them a detachment; then a cannon drawn by six horses. After that
follow a large body of men; then, again, a mounted gun and
artillerymen. Behind these another troop of mounted horsemen, and
another gun-carriage drawn by six horses. But to this the cannon is
wanting. In its stead a human form lies bound. The head hangs down over
the back of the rattling carriage, and as the moon ever and anon peeps
out from between the clouds, it discloses a face distorted with agony,
from which all trace of hair on head or beard has been cut away--perhaps
dragged out. The eyes and mouth are wide open. A coarse horsecloth
covering is fastened underneath the man. A corner of it drags along the
snow-covered ground. From it every now and then a drop of blood falls--a
sign that, in bleeding, the man still lives. The drops of blood in the
snow fantastically change, as they fall, into roses. Red flowers on the
white snow-field! The ghost-like procession disappears in the mist.
Keeping carefully to one side, but ever following closely on the track
of the soldiers, is a horseman, also mounted on a long-maned,
broad-headed pony. He wears a thick fur coat; a fur-bordered czamarka is
on his head; icicles hang from his long beard. He rides slowly and
cautiously, his horse taking long strides, as though its master were
seeking something on the ground. Then, as often as he sees a red rose
upon the snow, he dismounts, kneels, and with a golden spoon he takes up
the crystallized token and places it in an enamelled reliquary, then
rides on to the next.
The way leads without interruption through a primeval forest. It is the
forest of Bjelostok. Only there, in all Europe, are bisons to be met
with. There no sound of axe is ever heard; storms alone bring down the
giant trees. One forest arises out of the decay of the former. Beeches,
oaks, limes, vie in height with tall pines. In the dead of night resound
the shriek of the lynx, and the roar of the female bison anxiously
calling for its sucking calf. But no human sound is to be heard. No
human dwelling is near. Had not the path through the forest been a
highway, undergrowth had long since made it impenetrable.
The fallen drops of blood lead the rider on farther and farther. Now
they appear at longer intervals. At length the last rose is reached; the
track left by the wheels of the gun carriage is now his only guide. The
horseman continues to follow it. The man bound to the gun-carriage is
assuredly dead by this time. If dead, they will as surely bury him
somewhere.
Public-domain text, read in full here on John Shaqi.
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