The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
Upon the endless solitary forest follow towns equally void of human
beings. On the banks of a great river stand two towns facing one
another, marked upon maps of a former century as still fortified places,
but now only to be classed among ruins. At that time they were specified
by name, Kazimir and Ivanowicze, I believe. Now their very names are
lost to history. Fallen walls, heaps of bricks and stones everywhere.
Nettles grow rank in the snow-covered squares and streets; castles,
churches, and temples are overgrown with briers to the very roofs. The
broad river is frozen over; from out the ice rise the piles of a
half-burned drawbridge, near to which stretches a track across the snow.
The solitary horseman follows the traces. In the middle of the river his
scrutinizing search is suddenly brought to a halt by a newly made gap in
the ice.
That it is newly made is shown by the broken ice lying about, upon which
no fresh layer of snow has had time to form. The shape of the gap is
oblong--like an open grave. Close round it are traces of many feet upon
the snow; not far away the smooth surface shows the pressure of a human
form, which must have lain there face downwards. Here, without a doubt,
has been the place of burial. They had lowered the body under the ice (a
secure burial-place, indeed); the current would then convey it gently to
the sea.
The horseman dismounts, kneeling down beside the open space and baring
his head. He murmurs something--perhaps a prayer. Into the water beneath
there drops something--perhaps a tear.
At that instant the moon shines out resplendent. The man's head is
distinctly visible--a head once seen not easily forgotten. A high
forehead; the hair of reddish hue, but already tinged with gray, growing
low upon it; the face thin, nervous; cheek-bones and chin prominent;
nose aquiline; deep-set eyes; the towsled beard brushed forward; the
character of the whole face was one of suppressed suffering, of silent
woe. The moon has again disappeared under the clouds. A thick, heavy
mist falls around. Primeval forest and ruins alike fade; the figure of
the horseman grows more and more shadowy.
Through the thick mist, in the dead stillness of black night, is a weird
sound of sighing and moaning. Perhaps it is the she-bison calling her
young--perhaps it is the voice of one singing "Boze cos Polske."
CHAPTER II
MIST SHADOWS
Public-domain text, read in full here on John Shaqi.
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