Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
“But take instead some red and purple flowers against a yellow wall,
some oranges, a tangerine or two, three gazelles on a tennis-court,
poppies tall as choir-boys, the cactus, the palm, and the pyramid
cypress-tree. And watch, my friend, two shadows that walk in the wicked
shadow of the pyramid cypress, that stands in the garden like a dark
torch keeping watch over disillusion. It is night, or have I already
told you that? Ah me, ah me, now will she who walks there ever forsake
her love, will she ever be disloyal to her vows, that were made with so
much pomp and circumstance in the Guards’ Chapel at Westminster before a
congregation notable for the absence of all her husband’s relations?
Why, her heart is confident, her heart is fragrant with the honey of
that moon’s passage, and she knows what she knows. And yet, and here is
a most pitiful thing, there must be something in her, some fatal
abandon, that sets men doubting, for he who walked with her in the
wicked shadow of the pyramid cypress wore the silence of the destroyer,
so that her heart cried that he was misnamed, for the mortal disease of
his heel was suspicion. Now I must tell you that it was Christmas Eve,
and after a little desultory conversation he said: ‘Here is a present
for you, sweet,’ and he gave me this emerald which you are kind enough
to admire. ‘Alas,’ I said, ‘it is a little big for me! It may fall from
my finger, don’t you see?’
“‘Yes, it may fall,’ said he. ‘But if you are careful, my sweet, if you
curve your knuckle in time, it won’t dream of falling, not it!’ And then
I cried miserably, knowing there was a catch in this somewhere, for at
that time I was not yet broken in and was still fearful of suspicion.
And I cried: ‘Hector Storm, what do you mean?’
“‘I mean, Iris, that you are as that ring----’
“‘Beautiful but loose, Hector? Ah, _timeo Danaos_!”
“‘Iris, will you never be serious! Yes, you are as that ring, which you
must always wear on the third finger of your right hand. And as that
ring may fall, Iris, so you may fall, for that is the sort of woman you
are. But as that ring may be kept from falling, so may you keep yourself
from falling. Oh, God,’ he said, ‘my life is darkness without you, I
love you so, and it’s a perfect hell with you, I love you so!’ And he
said much more that is unmentionable, and I learnt something, for it is
only by listening to their husbands in moments of intimacy that
well-brought-up women can become acquainted with certain good old
English words. And though I pleaded bitterly that he was unfair to me,
saying I was chained to him as my wrist might be chained to a star,
which was no more than the truth, he insisted that I could be constant
only to inconstancy, and so I was tired and went to bed. But look! Oh,
look! Please look! Ah, the discourtesy of time! Really I must go now!”
Public-domain text, read in full here on John Shaqi.
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