Europe -- Social conditions -- 20th century -- Fiction; Great Britain -- Social conditions -- 20th century -- Fiction; Love stories
I drew my eyes from her eyes to see that the dawn had slyly thrown a
grey handkerchief over the window. It was but the shape of the dawn
creeping out into the night, it was but a ghostly breath in the night,
but it was the dawn. And I did not know what to say, for can a man deny
the dawn, that speaks good sense in its vast elemental language?
The chair creaked and creaked. She was going now, there was no doubt
about it. The texture of her face was grave, she was busy with the angle
of her green hat. I examined the sword in my mind. The chair creaked and
creaked, and then it was as though snapped by silence, and our startled
eyes joined over the emerald that lay on the floor like the echo of the
kiss, which was an unfair kiss. She shivered faintly, and drew herself
taut, and was very proud. She was remote as the evening star, and very
proud. Her eyes were dark as in a crypt, and her eyes looked lost, as
though she had strayed into a maze. I lit a cigarette, and found my
throat dry and parched.
She found difficulty in speaking. I was amazed.
“No,” she said. She shook her head. “Certainly not. My ring, please.”
Imperiously her finger pointed to the floor, but her eyes were as
plaintive as a nun’s who has strayed into one of the corridors of hell.
That I might walk with her there I again made myself a Judas to her
hand, and she shivered with her whole body as in a torment, and she
seemed to bite her lip from within.
“It means nothing,” she said coldly.
“I know,” I said.
She breathed deeply, with a hand pressed to one breast, as though it
hurt her. I think it must have hurt her very much. I was sorry. She
shook her head, as though she was in a cage, and then she was as still
as a cut flower. The whole brim of the green hat was between me and her
face, we were both terribly alone. Her right hand drooped naked over the
arm of the chair, and I was bending down to pick up the emerald to
replace it on the third finger when a cautious knocking came from
below.
That was the second or third time of knocking, and each time it was less
cautious, and I knew it to come from the policeman on the beat, who
would be wishing to have the primrose car put in its proper place, which
was not on the King’s highroad. I wondered if she had heard, but I could
not see her face. I wondered if she heard me move. As I came to the door
I switched out the light and the dawn pounced on her green hat, but she
who wore it fought her battles carved in stone. She said something, I
did not catch what, and I went downstairs and spoke with the policeman,
who was an amiable middle-aged man of my acquaintance.
Public-domain text, read in full here on John Shaqi.
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