Betrothal -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; London (England) -- Fiction
“But it’s so unlike you to think of damp Parks and bare trees.”
“Well—perhaps it’s because Millie’s coming back from Paris this
afternoon. I shall be terrified of her—so smart she’ll be!”
“Give her my love and bring her here as soon as she’ll come. She’ll
amuse Roddy.” She paused, searching in Katherine’s brown
eyes—“Katie—if there’s ever—anything—_any_thing—I can help you in
or advise you—or do for you. You know, don’t you?... You always _will_
be so independent. You don’t _tell_ me things. Remember I’ve had my
times—worse times than you guess.”
Katherine kissed her. “It’s all right, Rachel, there’s nothing the
matter—except that ... no, nothing at all. Good-bye, dear. Don’t come
down. I’ll bring Millie over.”
She was gone—Rachel watched her demure, careful progress until she was
caught and hidden by the trees.
* * * * *
There had been a little truth in her words when she told Rachel that she
dreaded Millie’s arrival. If she had ever, in the regular routine of her
happy and busy life, looked forward to any event as dramatic or a
crisis, that moment had always been Millie’s return from Paris. Millie
had been happy and affectionate at home, but nevertheless a critic. She
had never quite seen Life from inside the Trenchard Mirror nor had she
quite seen it from the vision of family affection. She loved them
all—but she found them slow, unadventurous, behind the times. That was
the awful thing—‘behind the times’—a terrible accusation. If Millie
had felt that (two years ago) how vehemently would she feel it now!...
and Katherine knew that as she considered this criticism of Millie’s she
was angry and indignant and warm with an urgent, passionate desire to
protect her mother from any criticism whatever. “Behind the times”,
indeed—Millie had better not.... And then she remembered the depth of
her love for Millie ... nothing should interfere with that.
She was in her bedroom, after luncheon, considering these things when
there was a tap on the door and Aunt Betty entered. In her peep round
the door to see whether she might come in, in the friendly, hopeful,
reassuring butterfly of a smile that hovered about her lips, in the
little stir of her clothes as she moved as though every article of
attire was assuring her that it was still there, and was very happy to
be there too, there was the whole of her history written.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account