The Grey Woman and other TalesGaskell, Elizabeth Cleghorn
General
The Grey Woman and other Tales
Gaskell, Elizabeth Cleghorn
England -- Social life and customs -- 19th century -- Fiction; Short stories
I did not speak, nor move, nor even open my eyes, for long after I was
in my full, my miserable senses. I heard some one treading softly about
the room, as if with a purpose, not as if for curiosity, or merely to
beguile the time; some one passed in and out of the salon; and I still
lay quiet, feeling as if death were inevitable, but wishing that the
agony of death were past. Again faintness stole over me; but just as I
was sinking into the horrible feeling of nothingness, I heard Amante’s
voice close to me, saying,—
“Drink this, madame, and let us begone. All is ready.”
I let her put her arm under my head and raise me, and pour something
down my throat. All the time she kept talking in a quiet, measured
voice, unlike her own, so dry and authoritative; she told me that
a suit of her clothes lay ready for me, that she herself was as
much disguised as the circumstances permitted her to be, that what
provisions I had left from my supper were stowed away in her pockets,
and so she went on, dwelling on little details of the most commonplace
description, but never alluding for an instant to the fearful cause why
flight was necessary. I made no inquiry as to how she knew, or what she
knew. I never asked her either then or afterwards, I could not bear
it—we kept our dreadful secret close. But I suppose she must have been
in the dressing-room adjoining, and heard all.
In fact, I dared not speak even to her, as if there were anything
beyond the most common event in life in our preparing thus to leave
the house of blood by stealth in the dead of night. She gave me
directions—short condensed directions, without reasons—just as you
do to a child; and like a child I obeyed her. She went often to the
door and listened; and often, too, she went to the window, and looked
anxiously out. For me, I saw nothing but her, and I dared not let my
eyes wander from her for a minute; and I heard nothing in the deep
midnight silence but her soft movements, and the heavy beating of my
own heart. At last she took my hand, and led me in the dark, through
the salon, once more into the terrible gallery, where across the black
darkness the windows admitted pale sheeted ghosts of light upon the
floor. Clinging to her I went; unquestioning—for she was human sympathy
to me after the isolation of my unspeakable terror. On we went, turning
to the left instead of to the right, past my suite of sitting-rooms
where the gilding was red with blood, into that unknown wing of the
castle that fronted the main road lying parallel far below. She guided
me along the basement passages to which we had now descended, until we
came to a little open door, through which the air blew chill and cold,
bringing for the first time a sensation of life to me. The door led
into a kind of cellar, through which we groped our way to an opening
like a window, but which, instead of being glazed, was only fenced with
iron bars, two of which were loose, as Amante evidently knew, for she
Public-domain text, read in full here on John Shaqi.
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