Autobiographical fiction; France -- Social life and customs -- Fiction
“Ah! Combray, Combray!” she cried. And the almost singing tone in which
she declaimed this invocation might, taken with the Arlesian purity of
her features, have made the onlooker suspect her of a Southern origin
and that the lost land which she was lamenting was no more, really, than
a land of adoption. If so, he would have been wrong, for it seems that
there is no province that has not its own South-country; do we not
indeed constantly meet Savoyards and Bretons in whose speech we find all
those pleasing transpositions of longs and shorts that are
characteristic of the Southerner? “Ah, Combray, when shall I look on
thee again, poor land! When shall I pass the blessed day among thy
hawthorns, under our own poor lily-oaks, hearing the grasshoppers sing,
and the Vivonne making a little noise like someone whispering, instead
of that wretched bell from our young master, who can never stay still
for half an hour on end without having me run the length of that wicked
corridor. And even then he makes out I don’t come quick enough; you’ld
need to hear the bell ring before he has pulled it, and if you’re a
minute late, away he flies into the most towering rage. Alas, poor
Combray; maybe I shall see thee only in death, when they drop me like a
stone into the hollow of the tomb. And so, nevermore shall I smell thy
lovely hawthorns, so white and all. But in the sleep of death I dare say
I shall still hear those three peals of the bell which will have driven
me to damnation in this world.”
Her soliloquy was interrupted by the voice of the waistcoat-maker
downstairs, the same who had so delighted my grandmother once, long ago,
when she had gone to pay a call on Mme. de Villeparisis, and now
occupied no less exalted a place in Françoise’s affections. Having
raised his head when he heard our window open, he had already been
trying for some time to attract his neighbour’s attention, in order to
bid her good day. The coquetry of the young girl that Françoise had once
been softened and refined for M. Jupien the querulous face of our old
cook, dulled by age, ill-temper and the heat of the kitchen fire, and it
was with a charming blend of reserve, familiarity and modesty that she
bestowed a gracious salutation on the waistcoat-maker, but without
making any audible response, for if she did infringe Mamma’s orders by
looking into the courtyard, she would never have dared to go the length
of talking from the window, which would have been quite enough
(according to her) to bring down on her “a whole chapter” from the
Mistress. She pointed to the waiting carriage, as who should say: “A
fine pair, eh!” though what she actually muttered was: “What an old
rattle-trap!” but principally because she knew that he would be bound to
answer, putting his hand to his lips so as to be audible without having
to shout:
“_You_ could have one too if you liked, as good as they have and better,
I dare say, only you don’t care for that sort of thing.”
Public-domain text, read in full here on John Shaqi.
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