Autobiographical fiction; France -- Social life and customs -- Fiction
What is it again you call him?” she
interrupted herself as though putting a formal question as to the
correct procedure, which she went on to answer with: “Oh, of course,
it’s Antoine you call him!” as though Antoine had been a title. “He’s
the one who could tell me, but he’s quite the gentleman, he is, a great
scholar, you’ld say they’d cut his tongue out, or that he’d forgotten to
learn to speak. He makes no response when you talk to him,” went on
Françoise, who used “make response” in the same sense as Mme. de
Sévigné. “But,” she added, quite untruthfully, “so long as I know what’s
boiling in my pot, I don’t bother my head about what’s in other
people’s. Whatever he is, he’s not a Catholic. Besides, he’s not a
courageous man.” (This criticism might have led one to suppose that
Françoise had changed her mind about physical bravery which, according
to her, in Combray days, lowered men to the level of wild beasts. But it
was not so. “Courageous” meant simply a hard worker.) “They do say, too,
that he’s thievish as a magpie, but it doesn’t do to believe all one
hears. The servants never stay long there because of the lodge; the
porters are jealous and set the Duchess against them. But it’s safe to
say that he’s a real twister, that Antoine, and his Antoinesse is no
better,” concluded Françoise, who, in furnishing the name “Antoine” with
a feminine ending that would designate the butler’s wife, was inspired,
no doubt, in her act of word-formation by an unconscious memory of the
words _chanoine_ and _chanoinesse_. If so, she was not far wrong. There
is still a street near Notre-Dame called Rue Chanoinesse, a name which
must have been given to it (since it was never inhabited by any but male
Canons) by those Frenchmen of olden days of whom Françoise was, properly
speaking, the contemporary. She proceeded, moreover, at once to furnish
another example of this way of forming feminine endings, for she went
on: “But one thing sure and certain is that it’s the Duchess that has
Guermantes Castle. And it’s she that is the Lady Mayoress down in those
parts. That’s always something.”
“I can well believe that it is something,” came with conviction from the
footman, who had not detected the irony.
Public-domain text, read in full here on John Shaqi.
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