Autobiographical fiction; France -- Social life and customs -- Fiction
“You think so, do you, my boy, you think it’s something? Why, for folk
like them to be Mayor and Mayoress, it’s just thank you for nothing. Ah,
if it was mine, that Guermantes Castle, you wouldn’t see me setting foot
in Paris, I can tell you. I’m sure a family who’ve got something to go
on with, like Monsieur and Madame here, must have queer ideas to stay on
in this wretched town rather than get away down to Combray the moment
they’re free to start, and no one hindering them. Why do they put off
retiring? They’ve got everything they want. Why wait till they’re dead?
Ah, if I had only a crust of dry bread to eat and a faggot to keep me
warm in winter, a fine time I’ld have of it at home in my brother’s poor
old house at Combray. Down there you do feel you’re alive; you haven’t
all these houses stuck up in front of you, there is so little noise at
night-time, you can hear the frogs singing five miles off and more.”
“That must indeed be fine!” exclaimed the young footman with enthusiasm,
as though this last attraction had been as peculiar to Combray as the
gondola is to Venice. A more recent arrival in the household than my
father’s valet, he used to talk to Françoise about things which might
interest not himself so much as her. And Françoise, whose face wrinkled
up in disgust when she was treated as a mere cook, had for the young
footman, who referred to her always as the “housekeeper”, that peculiar
tenderness which Princes not of the blood royal feel towards the
well-meaning young men who dignify them with a “Highness”.
“At any rate one knows what one’s about, there, and what time of year it
is. It isn’t like here where you won’t find one wretched buttercup
flowering at holy Easter any more than you would at Christmas, and I
can’t hear so much as the tiniest angelus ring when I lift my old bones
out of bed in the morning. Down there, you can hear every hour; there’s
only the one poor bell, but you say to yourself: ‘My brother will be
coming in from the field now,’ and you watch the daylight fade, and the
bell rings to bless the fruits of the earth, and you have time to take a
turn before you light the lamp. But here it’s day time and it’s night
time, and you go to bed, and you can’t say any more than the dumb beasts
what you’ve been about all day.”
“I gather Méséglise is a fine place, too, Madame,” broke in the young
footman, who found that the conversation was becoming a little too
abstract for his liking, and happened to remember having heard us, at
table, mention Méséglise.
Public-domain text, read in full here on John Shaqi.
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