Autobiographical fiction; France -- Social life and customs -- Fiction
He had always made a habit of going regularly for some time to the same
house, where, accordingly, he need not stand on ceremony. But formerly
it had been in order that he might talk without being interrupted; now
it was so that he might sit for as long as he chose in silence, without
being expected to talk. For he was very ill, some people said with
albuminuria, like my grandmother. According to another version, he had a
tumour. He grew steadily weaker; it was with difficulty that he came up
our staircase, with greater difficulty still that he went down it. Even
though he held on to the banisters he often stumbled, and he would, I
believe, have stayed at home had he not been afraid of losing altogether
the habit of going out, the capacity to go out, he, the “man with the
little beard” whom I had seen so alert, not very long since. He was now
quite blind and even his speech was frequently obstructed.
But at the same time, by a directly opposite process, the body of his
work, known only to a few literary people at the period when Mme. Swann
used to patronise their timid efforts to disseminate it, now grown in
stature and strength before the eyes of all, had acquired an
extraordinary power of expansion among the general public. The general
rule is, no doubt, that only after his death does a writer become
famous. But it was while he still lived, and during his slow progress
towards a death that he had not yet reached that this writer was able to
watch the progress of his works towards Renown. A dead writer can at
least be illustrious without any strain on himself. The effulgence of
his name is stopped short by the stone upon his grave. In the deafness
of the eternal sleep he is not importuned by Glory. But for Bergotte the
antithesis was still incomplete. He existed still sufficiently to suffer
from the tumult. He was moving still, though with difficulty, while his
books, bounding about him, like daughters whom one loves but whose
impetuous youthfulness and noisy pleasures tire one, brought day after
day, to his very bedside, a crowd of fresh admirers.
Public-domain text, read in full here on John Shaqi.
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