Autobiographical fiction; France -- Social life and customs -- Fiction
whose various buildings I esteemed as a priceless privilege, which I
hoped would last, my freedom to go whenever I chose, always certain of a
welcome.
At seven o’clock I dressed myself and went out again to dine with
Saint-Loup at the hotel where he took his meals. I liked to go there on
foot. It was by now pitch dark, and after the third day of my visit
there began to blow, as soon as night had fallen, an icy wind which
seemed a harbinger of snow. As I walked, I ought not, strictly speaking,
to have ceased for a moment to think of Mme. de Guermantes; it was only
in the attempt to draw nearer to her that I had come to visit Robert’s
garrison. But a memory, a grief, are fleeting things. There are days
when they remove so far that we are barely conscious of them, we think
that they have gone for ever. Then we pay attention to other things. And
the streets of this town had not yet become for me what streets are in
the place where one is accustomed to live, simply means of communication
between one part and another. The life led by the inhabitants of this
unknown world must, it seemed to me, be a marvellous thing; and often
the lighted windows of some dwelling-house kept me standing for a long
while motionless in the darkness by laying before my eyes the actual and
mysterious scenes of an existence into which I might not penetrate. Here
the fire-spirit displayed to me in purple colouring the booth of a
chestnut seller in which a couple of serjeants, their belts slung over
the backs of chairs, were playing cards, never dreaming that a
magician’s wand was making them emerge from the night, like a
transparency on the stage, and presenting them in their true lineaments
at that very moment to the eyes of an arrested passer-by whom they could
not see. In a little curiosity shop a candle, burned almost to its
socket, projecting its warm glow over an engraving reprinted it in
sanguine, while, battling against the darkness, the light of the big
lamp tanned a scrap of leather, inlaid a dagger with fiery spangles, on
pictures which were only bad copies spread a priceless film of gold like
the patina of time or the varnish used by a master, made in fact of the
whole hovel, in which there was nothing but pinchbeck rubbish, a
marvellous composition by Rembrandt. Sometimes I lifted my gaze to some
huge old dwelling-house on which the shutters had not been closed and in
which amphibious men and women floated slowly to and fro in the rich
liquid that after nightfall rose incessantly from the wells of the lamps
to fill the rooms to the very brink of the outer walls of stone and
glass, the movement of their bodies sending through it long unctuous
golden ripples. I proceeded on my way, and often, in the dark alley that
ran past the cathedral, as long ago on the road to Méséglise, the force
of my desire caught and held me; it seemed that a woman must be on the
point of appearing, to satisfy it; if, in the darkness, I felt suddenly
Public-domain text, read in full here on John Shaqi.
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