England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Interpersonal relations -- Fiction
The wheel was motionless, at that time of night; and the whole structure
looked--as remembered objects will look, when we see them again after a
long interval--smaller than I had supposed it to be. Otherwise, I could
discover no change in the mill. But the wooden cottage attached to it had
felt the devastating march of time. A portion of the decrepit building
still stood revealed in its wretched old age; propped, partly by beams
which reached from the thatched roof to the ground, and partly by the
wall of a new cottage attached, presenting in yellow brick-work a hideous
modern contrast to all that was left of its ancient neighbor.
Had the miller whom I remembered, died; and were these changes the work
of his successor? I thought of asking the question, and tried the door:
it was fastened. The windows were all dark excepting one, which I
discovered in the upper storey, at the farther side of the new building.
Here, there was a dim light burning. It was impossible to disturb a
person, who, for all I knew to the contrary, might be going to bed. I
turned back to The Loke, proposing to extend my walk, by a mile or a
little more, to a village that I remembered on the bank of the river.
I had not advanced far, when the stillness around me was disturbed by an
intermittent sound of splashing in the water. Pausing to listen, I heard
next the working of oars in their rowlocks. After another interval a boat
appeared, turning a projection in the bank, and rowed by a woman pulling
steadily against the stream.
As the boat approached me in the moonlight, this person corrected my
first impression, and revealed herself as a young girl. So far as I could
perceive she was a stranger to me. Who could the girl be, alone on the
river at that time of night? Idly curious I followed the boat, instead of
pursuing my way to the village, to see whether she would stop at the
mill, or pass it.
She stopped at the mill, secured the boat, and stepped on shore.
Taking a key from her pocket, she was about to open the door of the
cottage, when I advanced and spoke to her. As far from recognizing her as
ever, I found myself nevertheless thinking of an odd outspoken child,
living at the mill in past years, who had been one of my poor mother's
favorites at our village school. I ran the risk of offending her, by
bluntly expressing the thought which was then in my mind.
"Is it possible that you are Cristel Toller?" I said.
The question seemed to amuse her. "Why shouldn't I be Cristel Toller?"
she asked.
"You were a little girl," I explained, "when I saw you last. You are so
altered now--and so improved--that I should never have guessed you might
be the daughter of Giles Toller of the mill, if I had not seen you
opening the cottage door."
She acknowledged my compliment by a curtsey, which reminded me again of
the village school. "Thank you, young man," she said smartly; "I wonder
who you are?"
"Try if you can recollect me," I suggested.
"May I take a long look at you?"
Public-domain text, read in full here on John Shaqi.
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