England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Interpersonal relations -- Fiction
"As long as you like."
She studied my face, with a mental effort to remember me, which gathered
her pretty eyebrows together quaintly in a frown.
"There's something in his eyes," she remarked, not speaking to me but to
herself, "which doesn't seem to be quite strange. But I don't know his
voice, and I don't know his beard." She considered a little, and
addressed herself directly to me once more. "Now I look at you again, you
seem to be a gentleman. Are you one?"
"I hope so."
"Then you're not making game of me?"
"My dear, I am only trying if you can remember Gerard Roylake."
While in charge of the boat, the miller's daughter had been rowing with
bared arms; beautiful dusky arms, at once delicate and strong. Thus far,
she had forgotten to cover them up. The moment mentioned my name, she
started back as if I had frightened her--pulled her sleeves down in a
hurry--and hid the objects of my admiration as an act of homage to
myself! Her verbal apologies followed.
"You used to be such a sweet-spoken pretty little boy," she said, "how
should I know you again, with a big voice and all that hair on your
face?" It seemed to strike her on a sudden that she had been too
familiar. "Oh, Lord," I heard her say to herself, "half the county
belongs to him!" She tried another apology, and hit this time on the
conventional form. "I beg your pardon, sir. Welcome back to your own
country, sir. I wish you good-night, sir."
She attempted to escape into the cottage; I followed her to the threshold
of the door. "Surely it's not time to go to bed yet," I ventured to say.
She was still on her good behavior to her landlord. "Not if you object to
it, sir," she answered.
This recognition of my authority was irresistible. Cristel had laid me
under an obligation to her good influence for which I felt sincerely
grateful--she had made me laugh, for the first time since my return to
England.
"We needn't say good-night just yet," I suggested; "I want to hear a
little more about you. Shall I come in?"
She stepped out of the doorway even more rapidly than she had stepped
into it. I might have been mistaken, but I thought Cristel seemed to be
actually alarmed by my proposal. We walked up and down the river-bank. On
every occasion when we approached the cottage, I detected her in stealing
a look at the ugly modern part of it. There could be no mistake this
time; I saw doubt, I saw anxiety in her face. What was going on at the
mill? I made some domestic inquiries, beginning with her father. Was the
miller alive and well?
"Oh yes, sir. Father gets thinner as he gets older--that's all."
"Did he send you out by yourself, at this late hour, in the boat?"
"They were waiting for a sack of flour down there," she replied, pointing
in the direction of the river-side village. "Father isn't as quick as he
used to be. He's often late over his work now."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account