Great Britain. Royal Navy -- Fiction; Seafaring life -- Fiction
He was seized by an impulse to put away even this rattling imitation
of reason, to make his spring now. All the world was moving so swiftly
about him that he felt only force and sensation could keep pace with
it. It pleased him to see that her eyes were frightened, and that,
though she wanted to go away, she could not move. This was power; but
he would not use it yet; he must not use it for months to come. Now he
would go on saying something while he watched her.
“Can’t you understand why I am telling it to you?”
“You talk so fast,” she said, her hand travelling to her forehead.
“Then I’ll talk slower.”
“No,” she said, under her breath; but he paid no attention. His voice
continued--to her ears as inexplicit as music.
“Between us we will lay great plans,” she heard him say presently,
and her protest against being thus included was never uttered. “Out
in the East--the home of all philosophy--we shall have time to think.
Margaret, you will help me to get all this clear in my mind?”
All what? He didn’t know or care. It sufficed that he had bound her
to him by some tie, the more difficult to break because it was so
vague. Moreover, his use of her name had been resisted only by a quick
intaking of breath.
“You will help me?” he repeated. “You must--you must.” Then, too
confident, he stooped over her and reached with his hands for hers.
By his lightest touch the spell he had laid upon her was broken. She
started up, the blood tingling in her. She knew that she had acquiesced
in something she had not considered, as if she had spoken in her sleep.
His ascendancy was revealed as menacing--a cloud that overshadowed her,
and, while it held her attention, warned her to take shelter.
“I can hear the music again.”
“But the next dance is ours.”
“No.”
“You promised. Look--your name.” He offered his programme, sure that
she would not examine it or remember the number of the dance.
And she said without looking, “I can’t dance now.”
He answered as if he were stroking her. “Ah, you are trembling. What is
the matter? Have I frightened you?”
“Frightened?” The sound of her own laugh restored her calmness. “What
is there to be frightened of? But see,” she went on, holding out her
programme, “I am sure you have made a mistake. This dance is Mr.
Lynwood’s.”
John was coming up the stairs towards them. “Then I will find you again
a little later,” said Ordith, and disappeared.
“What has happened?” John asked, looking into her face, which had now
grown pale.
“Happened? Nothing--oh, nothing. I was a little tired, that’s all.”
And, in truth, Margaret knew of no cause for an effect so overwhelming.
Looking back, she wondered how so strong an emotion had taken hold of
her. Why had she been afraid? and why now was she conscious of having
escaped, of having awakened--of having lost something, too?
“Let’s go and dance,” she said.
Public-domain text, read in full here on John Shaqi.
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