The Haciendas of Mexico: An Artist's RecordBartlett, Paul Alexander
History
The Haciendas of Mexico: An Artist's Record
Bartlett, Paul Alexander
Bartlett, Paul Alexander, 1909-1990; Haciendas -- Mexico -- Pictorial works; Haciendas in art
As a result of laws that secularized communal land and set aside fallow
land, huge areas of cultivation and land suitable for farming were
placed at the disposition of commercial agriculture. Supporting
capital for the most part came from foreign sources--from the United
States, France, and England. Labor came from the impoverished
peasants, from town workers, and from indigenous groups, among them the
Mayas and the Tarahumaras.
Large landed estates appeared and a powerful class of hacienda owners
arose. It was during this period that it was possible to overcome some
of the endemic problems that had beset the hacienda since its birth:
instability, indebtedness, lack of capital, and scarce revenues.
During the Porfiriato, the majority of the haciendas were highly
productive and provided their owners with plentiful earnings. Yet, at
the same time there were haciendas that had to face financial problems
and fluctuations in production.
Frequently, hacendados participated in other areas of business, such as
finance, commerce, and mining. Their privileged economic position
permitted them to furnish their rural properties with great luxury and
to sustain a life of affluence. Bartlett found hacienda residences
with twenty bedrooms, salons for dancing, Japanese gardens, billiard
rooms and music rooms, swimming pools, bullrings, and palisades.
Bearing witness to the interior splendor of these mansions, there was
fine furniture from Europe, carpeting from Persia, velvet draperies,
chandeliers of cut crystal, and valuable oil paintings. There were
haciendas that possessed chapels that rivaled the provincial churches
in size, architecture, and decor. Of course not all haciendas were
this elegant: most had much more rustic appointments; many were in
decline, poorly maintained, furnished with the very barest minimum.
Bartlett captured and transmits to us today through his art the grand
cultural richness that enfolds the hacienda, its diversity according to
its moment in time, its location, and its type of production, and he
accompanies these with a portrayal of hacienda life, customs, and its
inherent style of thought. He is one of the pioneers in his field of
study.
[Illustration: Map of Mexico and its states]
+Sonora+
1. Hacienda de Endo
+Chihuahua+
2. Hacienda de Colonia Campo
3. Hacienda Corralitos
4. Hacienda Quinta Carolina
+Durango+
5. Hacienda de Juana Guerra
6. Hacienda de Canutillo
+Nayarit+
7. Hacienda San Cayetano
+San Luis Potosí+
8. Hacienda de Castamay
+Guanajuato+
9. Hacienda de Valenciana
10. Hacienda de Leoncito
11. Hacienda de Calderón
12. Hacienda de Puerto de Nieto
13. Hacienda de los Ricos
14. Hacienda San Cayetano de Valencia
15. Hacienda de Petaca
16. Hacienda de la Erre
Public-domain text, read in full here on John Shaqi.
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