The Haciendas of Mexico: An Artist's Record — John Shaqi
The Haciendas of Mexico: An Artist's RecordBartlett, Paul Alexander
History
The Haciendas of Mexico: An Artist's Record
Bartlett, Paul Alexander
Bartlett, Paul Alexander, 1909-1990; Haciendas -- Mexico -- Pictorial works; Haciendas in art
Schooling at the hacienda was largely disregarded. There were sixty
foreign dialects to contend with. There were no dictionaries, no
language bridges for the Zapotec, Coro, Méxica, and Nahuatl people. On
the estates a priest or teacher, one who knew a little Latin, gave
lessons in Spanish, arithmetic, Latin, and the catechism. Scholarly
priests began linguistic studies of some tribes; they edited
dictionaries, but these were never circulated. Some of their work has
yet to be published.
_Machismo_ was more meaningful to the average estate than education.
The blacksmith from Barcelona, who now owned ninety thousand acres, was
eager for compliant women. Sex life, for the invaders, for the
colonist, was freer than in Europe. Since the men did not speak the
Indian dialects, sex was a body language. Some were promiscuous and
guilty of perversion. Priests and nuns were shocked by their animality
and attempted to control their countrymen. Since most haciendas were
remote and few women accompanied the settlers, isolation and power
granted license.
The kindly man, the gentile man, looked for other ways to overcome
loneliness, isolation, homesickness. Some, preferring the familiar
life, returned to their homeland. By 1910, thousands of estates were
scattered across the country. Mansions were located in the midst of
maguey and henequén fields or were situated in lush valleys. Some
faced the ocean; some were lost in acres of corn; miles of range
country surrounded others; there were desert haciendas with the nearest
neighbor fifty miles away; there were rain forest haciendas, mahogany
haciendas. Many were regional landmarks.
[Illustration: Hacienda de Calderón, Guanajuato: bronze bell on
residence, 1838.]
Haciendas became an embodiment of time. They seemed to defy time,
offering the illusion that a family could live there indefinitely.
+II. Through the Eyes of Hacienda Visitors+
[Illustration: Hacienda cattle brand]
Through the years there were notable visitors to the haciendas who have
left us their impressions: Bishop Landa, Father Alonso Ponce, Gemelli
Gareri, Samuel de Champlain, John Chilton, Mora y Escobar, Sieur Bully,
Fathers Balalenque and Acosta, Thomas Gage ("clerical spy"), Don
Ernesto de Icaza, Emperor Iturbide, Emperor Maximilian I, Baron von
Humboldt, Madame Calderón de la Barca, James Stephens, and Frederick
Catherwood, among others.
[Illustration: Hacienda cattle brand]
Public-domain text, read in full here on John Shaqi.
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